Giulio Sangiorgio

Giulio Sangiorgio (Lecco, 1984) is a journalist, film critic, professor and festival programmer. Since 2020 he has been collaborating as assistant professor at IULM, the university where he obtained his PhD in visual studies.

Prints and publications
He is the editor-in-chief of the weekly magazine Film TV (since 2017).
His essays and articles have appeared in other magazines such as duellanti, Fata Morgana, Cineforum, Segnocinema, 8 1/2, Cinecritica, ilmanifesto.
In 2022 (until 2024) he was appointed Communications manager of the Sindacato Nazionale Critici Ci-nematografici Italiani.
From 2014 to 2018 he was co-director of Heterotopia for Bietti Editore, for which he edited the mon-ographs dedicated to Lav Diaz and François Ozon.
Since 2013 he has collaborated with Radio 24 as a guest for the radio program about cinema: La Rosa purpurea.

Teaching
Since 2022 he is a tutor at the In Progress production development laboratory of the Milano Film Network.
Since 2020 he has also collaborated as a professor and expert at the Scuola Civica Luchino Visconti in Milan in the Film Critic & Festival Programmer course.

Festival
In 2024 he was appointed artistic director of the BAFilm Festival in Busto Arsizio and the IULM Univer-sity delegate for the Noir Film Festival.
Since 2021 he has been co-director of the international film festival I mille occhi in Trieste, together with Olaf Moller.
From 2014 to 2021 he has been a programmer for the Filmmaker Festival in Milan, returning to this role last year, in 2024.
Since 2017 he has also been a collaborator for La Milanesiana in Milan.
During 2025, his programmes on Italian cinema are to be showcased at the Italian Cultural Institute in Berlin and Stockholm.
He was the coordinator of the selection committee of the Torino Film Festival in the years 2022 and 2023.
In 2024 he was among those responsible for the production of the event “Diaspora degli artisti in guerra” organized by the Centro Sperimentale di Cinematografia in Rome.
He was the curator of the retrospectives dedicated to Riccardo Giacconi and Ficarra & Picone (with Pedro Armocida) at the Mostra del Nuovo Cinema in Pesaro.

Additional assignments
He is a member of the Apulia Film Commission for the evaluation of the Apulia Film Fund's projects in the "authors and story editors" section.
Since 2018 he has been a member of the David di Donatello awards jury and in the same year, he has also been a member of the jury of the Adelio Ferrero Award for young critics.
In 2017 he became a member of the Critics' Film commission, organized by the SNCCI, which assigns the quality mark to theatrical releases.

MAIN AREAS OF SCIENTIFIC INTEREST

Contemporary cinema
Non-fiction and expanded cinema
History of Italian Cinema
Forms and practices of film criticism

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

Bruno Dumont - Del subrealismo, in ABIUSI L. (a cura di) Il film in cui nuoto è una febbre, Caratteri Mobili, Bari, 2012 (ISBN: 978-88-96989-26-5) (con A. Baratti)

Dimensions of dialogue - Sul rapporto tra cinema e videoclip, postfazione a PACILIO L., Il videoclip nell’era di YouTube, Bietti Edizioni, Milano 2014 (ISBN: 978-88-8248-326-5)

No trespassing - Grizzly Man di Werner Herzog, in MENARINI R. (a cura di), Cinema senza fine Un viaggio cinefilo attraverso 25 film, Mimesis, Milano-Udine, 2014 (ISBN: 9788857521527)

Winners and Losers, in STELLINO A. (a cura di), Camera Gun - Il cinema ribelle di Lech Kowalski, Agenzia X, Milano, 2014 (ISBN: 978-88-95029-90-0)

Canada, in Enciclopedia Treccani - IX Appendice, Stamperia artistica Nazionale, Trofarello (Torino), 2015 (ISBN: 978-88-12-00557-4)

David Cronenberg, in Enciclopedia Treccani - IX Appendice, Stamperia artistica Nazionale, Trofarello (Torino), 2015 (ISBN: 978-88-12-00557-4)

Norvegia, in Enciclopedia Treccani - IX Appendice, Stamperia artistica Nazionale, Trofarello (Torino), 2015 (ISBN: 978-88-12-00557-4)

Svezia, in Enciclopedia Treccani - IX Appendice, Stamperia artistica Nazionale, Trofarello (Torino), 2015 (ISBN: 978-88-12-00557-4) Ungheria, in Enciclopedia Treccani - IX Appendice, Stamperia artistica Nazionale, Trofarello (Torino), 2015 (ISBN: 978-88-12-00557-4)

Lars von Trier, in Enciclopedia Treccani - IX Appendice, Stamperia artistica Nazionale, Trofarello (Torino), 2015 (ISBN: 978-88-12-00557-4)

Oltre il tempo - Sul cinema di Massimo D’Anolfi e Martina Parenti, in STELLINO A., PERSICO D., Cinema is not dead we are - Filmidee #1, Agenzia X, Milano, 2015 (ISBN: 978-88-98922-14-7)

Vedere doppio, in MARTINI E. (a cura di), Brian De Palma, Il castoro, Torino, 2018 (ISBN: 978-88-6966-257-7)

Un delirio organizzato: Scala al paradiso, in MARTINI E. (a cura di), Il cinema di Powell e Pressburger, Il castoro, Torino, 2018 (ISBN: 978-88-6966-400-7)

Rappresentazione e rappresentanza nel cinema italiano, in CANADE A., DE GAETANO R. (a cura di), 2018 - Un anno di visioni. FataMorganaWeb, Luigi Pellegrini Editore, Cosenza, 2018 (ISBN: 9788868226985)

I figli della Medusa. La politica degli esordi, in CANOVA G., MOCCAGATTA R. (a cura di), Mediaset e il cinema italiano - Film, personaggi, avventure, Mondadori - Electa, Milano, 2022 (ISBN: 9788891835833) Tante (troppe?) prime volte. La politica degli esordi ReteItalia, in CANOVA G., MOCCAGATTA R. (a cura di), Mediaset e il cinema italiano - Film, personaggi, avventure, Mondadori - Electa, Milano, 2022 (ISBN: 9788891835833)

Saggio critico, in AA.VV, Sguardi oltre il cinema Critical essays on the Locarno Film Festival, Armando Dadò Editore, Locarno (CH), 2022, (ISBN: 978-88-8281-625-4)

A Sicilian Ghost Story: Cultura e illusione nel cinema di Tornatore, in ARMOCIDA P., MORREALE E. (a cura di), Giuseppe Tornatore, Marsilio, Roma, 2023

Vipera, in POLLONE M., TARICANO C. (a cura di) Sergio Citti. La poesia scellerata del cinema, Centro Sperimentale di Cinematografia; Sabinae, Roma, 2023 (ISBN: 9791280023636)

La verifica incerta. Performatività delle immagini in “Bussano alla porta” di M. Night Shyamalan, in America Oggi II, CARLUCCIO G., POLLONE M. (a cura di), Kaplan, Torino, 2024 Guitry Pleasures.

Il cinema di Sacha Guitry rivisto da qui, in Bergamo Film Meeting 2024 Catalogo, Edizioni di Bergamo, Bergamo, 2024

Un film d’autore - Autorialità e autoritalismo nel cinema contemporaneo in MALAVASI L. (a cura di) Il cinema contemporaneo - Caratteristiche, identità culturale, esperienza, UTET, Torino, 2024 (ISBN: 9788860088864)

ARMOCIDA P., SANGIORGIO G. (a cura di), Ridere sul serio. Il cinema e i film di Ficarra & Picone, Marsilio, Roma, 2024

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.