Simona Pezzano

2017-2018

Contract of coordinated and continuous collaboration for the teaching of "Cinema Espanso", as part of the Master's Degree Course in Television, Cinema and New Media, IULM University, Milan.

Contract of coordinated and continuous collaboration related to the research project TEHC - Teaching Europena History through Cinema, co-financed by EACEA Education, Culture and Audiovisual Executive Agency, within the Creative Europe Programme. IULM University, Milan.

2014-2018

Contract of coordinated and continuous collaboration for an in-depth study of the themes and contents of the teaching of "Imaginaries of the digital age", as part of the Master's Degree Course in Television, Cinema and New Media, IULM University, Milan.

FROM 2015

She is part of the Editorial Staff of the magazine Cinema&Cié. International Film Studies Journal

FROM 2013

Forms  part of the Research Centre Self Media Lab. Writings, Performance, Self Technologies, founded in 2013 by Federica Villa with Fabrizio Fiaschini at the Department of Humanities of the University of Pavia

2014-2017

Coordinated and continuous cooperation contract for the eMEDia international cooperation project, co-funded by the European Commission under the Tempus IV Programme, IULM University, Milan.

She collaborates as event curator and text editor for the Associazione culturale Il Lazzaretto, Milan. http://www.illazzaretto.com/

2014-2016

Educational seminars as part of the Degree Course in "Communication, Media and Advertising", IULM University, Milan

She collaborates in the teaching of "Laboratory of Journalism", IULM University, Milan

2014-2015

Exercises in creative writing laboratory and academic writing, in the framework of the teaching "Laboratory of writing and communication in Italian language", IULM University, Milan

2002-2014

She collaborates in teaching at the chair of "Filmology", IULM University, Milan

2012-2014

Renewal of two-year research grant

2010-2012

Biennial research grant within the project: Places and behaviours of consumption and places of worship. Food consumption and socio-economic dynamics in foreign families in Lombardy. Faculty of Communication, Public Relations, Advertising, IULM University, Milan

2009

Press office for the Mexican Pavilion, Teresa Margolles - 53. International Art Exhibition of the Venice Biennale

2007-2010

She collaborates in teaching as a lecturer in the subject for the teaching of "Cinema and Architecture", Prof. Antonio Somaini, Faculty of Architecture, Politecnico di Milano

2007

PR Manager of the Mexican Pavilion, Rafael Lozano-Hemmer - 52. International Art Exhibition of the Venice Biennale

Responsible for the production and organisation of the photographic exhibition Is violence normal? The photographic eye of Ernst Jünger (13-30 September) and associated conferences The aesthetics of violence. Images of daily terror (14-30 September)

2010

Doctorate XXII cycle in Communication Science and New Technologies with the thesis, An exchange of views. The family photo album on Facebook. IULM University, Milan 2003

Four-year degree in Philosophy with a thesis: Analogue image, digital image. The truth of photography in the digital age. University of Milan

LANGUAGES

Excellent English spoken and written

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

In uscita

«La relazione creativa. Miriam. Il diario (Monica Castiglioni, 2014)», in Chiara Tognolotti e Giovanna Maina (a cura di), Essere (almeno) due, FAScinA, Edizioni ETS, Pisa 2018.

«Paesaggi della memoria. La Bassa padana custodita negli archivi della Lega di cultura di Piadena», in Maria Malvina Borgherini (a cura di), Atti del Convegno Photopaysage. Colloque International, 2018.

2004-2017

«Una corrispondenza di sguardi: Lisetta Carmi e Giuseppe Morandi», in Giovanni Battista Martini (a cura di), Un paese 50 anni dopo. Lisetta Carmi a Piadena. Fotografie 1965, Publi Paolini, Mantova 2017.

«Proiezioni informi: il mondo fantastico e onirico di Nathalie Djurberg e Hans Berg», in L. Cardone e M. Fanchi (a cura di), Imperfezioni. Studi sulle donne nel cinema e nei media,  FAScinA, Edizioni ETS, Pisa 2016.

«Tecnologie leggere nei lavori di Pippo Delbono» in Bianco e Nero, fascicolo 582-583, maggio-dicembre, anno LXXVI, Centro Sperimentale di Cinematografia e Carocci, Roma 2015.

«Trasmissioni meccaniche. Suggestioni iconografiche dall’Esposizione del 1906», in A. Abruzzese (direzione), L. Massidda (curatela), EXPO 1851-2015 Storie e immagini delle Grandi Esposizioni, UTET Grandi Opere, Torino 2015.

«La Bassa Padana e le sue trasformazioni agricole e sociali nelle fotografie e nei film di Giuseppe Morandi e Gianfranco 'Miciu' Azzali», in Poli-femo, Sapori delle parole, n. 3-4, anno 2012, Liguori, Napoli, pp. 67-82.

«Dall'io al chiunque», in  8½, luglio 2014, n. 16, pp. 16-17.

Review for Cinema&Cie n. 22-23, Spring/Fall, 2014 vol. VIX, Ariel Rogers, Cinematic Appeals. The Experience of New Movie Technologies, Columbia University Press, New York 2013 in Adriano D’Aloia and Ruggero Eugeni (a cura di), Neurofilmology. Audiovisual Studies and the Challenge of Neuroscience.

«Il gesto autoritrattistico dalla Body art alla Rete», in F. Villa (a cura di), Vite impersonali. Autoritrattistica e medialità, Pellegrini editore, Cosenza 2013.

«La documentazione di sé in ambiente virtuale: cosa si racconta e come ci si mostra in Facebook», in G. Franchin e A. Cati (a cura di), Comunicazioni Sociali, n. 3, Vita e Pensiero, Milano 2013, pp. 519 -529.

«Giuseppe Morandi e Gianfranco “Miciu” Azzali testimoni d'eccezione», Catalogo Filmmaker Festival, 2013.

«Uno scambio di sguardi. Gli album fotografici di famiglia in Facebook», in F. Faeta, G. D. Fragapane (a cura di), Forme e modelli. La Fotografia come modo di conoscenza, Corisco, Messina 2013.

«L'autoritratto instabile. L'immagine del proprio profilo in Facebook», in Fata Morgana, “Autoritratto” n. 15, Quadrimestrale di cinema e visioni, Pellegrini editore, Cosenza 2012

Blue lit stage. Realtà e rappresentazione mediatica della tortura, M. Farci e S. Pezzano (a cura di), Edizione Mimesis, Milano 2009.

Traduzione dei saggi di Hans Belting, “Image, Medium, Body: a new approach to Iconology”, W.J.T. Mitchell, “What do pictures want?”, Horst Bredekamp, “A neglected tradition? Art History as ‘Bildwissenschaft’”, Bruno Latour, “What is iconoclash? Or is there a world beyond the image wars?” in A. Pinotti e A. Somaini (a cura di), Teorie dell’immagine. Il dibattito contemporaneo, Raffaello Cortina Editore, Milano 2009.

«Il cinema incontra il digitale e ritrova le sue origini», in A. Caronia, E. Livraghi, S. Pezzano (a cura di), L’arte nell’era della producibilità digitale, Edizione Mimesis, Milano

«La perdita della traccia nell'immagine digitale», in E. Dagrada, R. De Berti, G. Scaramuzza (a cura di), Estetica e cinema a Milano, CUEM, Milano 2006.

«L’immagine digitale, una vera-falsa “nuova immagine”», in Leitmotiv numero IV, anno 2004  (anche online: www.ledonline.it/leitmotiv/).

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.