Eleonora Chiais
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Eleonora Chiais is a researcher at the University of Turin, where she teaches Moda e Costume (BA) and Fashion and
Creativity (MA). She also serves as the faculty advisor for students with learning disabilities (DSA) within the Dipartimento
di Studi Umanistici, is a member of the Study Course Council for the Master's degree in Cultural Heritage and Creativity for
Tourism and Territorial Development, and part of the Events Committee for the DAMS (BA) and CAM (MA) degree
programs. Formerly the coordinator of the History of Fashion course at the Milano Fashion Institute (MFI), she is now a
faculty member at the Italian Institute of Fashion Management (IIFM) and, since the 2021–2022 academic year, has been
teaching at the Alma Mater Studiorum – University of Bologna in the undergraduate program in Culture e Pratiche della
moda (Rimini campus).
As a former member of the ERC-funded project NeMoSanctI (New Models of Sanctity in Italy 1960s–2000s - A Semiotic
Analysis of Norms, Causes of Saints, Hagiography, and Narratives), her research focused in particular on the role of bodily
adornment within the Catholic Church, with a specific emphasis on the clothing of saints, both in historical and contemporary
contexts. Today, her main research interests include fashion theories and trend analysis, approached through the lens of
semiotic methodology. In this academic field, she obtained (in 2024) the National Scientific Qualification for associate
professorship (IIlevel).
Her academic background includes the participation in and organization of numerous conferences, seminars, and workshops
in both Italy and abroad, as well as the publication of several scientific articles in Italian, English, and Spanish.
She earned her Ph.D. in Turin with a dissertation on the medial modifications of the representation of the female body, based
on the analysis of the Italian edition of Vogue magazine. She is currently a member of the scientific board of the international
semiotics journal Lexia. Her monograph Moda e trasparenza. Regimi discorsivi e dialettiche tra sguardi was published in
2023 by Mimesis (Milano-Udine), and the volume Che cos’è la filosofia della moda, co-written with Stefano Marino, is f
orthcoming with Carocci (Roma).
MAIN AREAS OF SCIENTIFIC INTEREST
- Sustainable fashion, upcycling, circular economy in textiles
- Fashion and religion, fashion and rituality
- Fashion and clothing as tools for identity construction
- Fashion as a vehicle for cultural translation (global fashion)
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Chiais E., Marino S. (in pubblicazione), Che cos’è la filosofia della moda, Carocci: Roma.
Chiais E. (2025), Moda e tecnologia: un dialogo aperto in Ponzo J. Stano S. (a cura di), Nuove tecnologie digitali e immersive. Valori, pratiche, significati culturali e terapeutici, Aracne: Roma.
Chiais E., Bariselli L. (2024), Clothing as a Vehicle of Gender Stereotypes. The Case of Cary Grant in
«ZoneModa Journal», Vol.14 n.1 (2024), pp. 47-58.
Chiais E. (2024), Pugno ergo sum. Uniformati e divisi per un’identità collettiva in Galofaro F. Sorrentino P. (a cura di), Il
senso della pace: prospettive sulla semiotica della guerra, Mimesis Edizioni: Milano-Udine.
Chiais E. (2023), Moda e trasparenza. Regimi discorsivi e dialettiche tra sguardi, Mimesis Edizioni: Milano-Udine.
Chiais E. (2023), Political t-shirt: un capo simbolo da Vivienne Westwood a Maria Grazia Chiuri in «ZoneModa Journal»,
Vol.13 n.2 (2023), pp. 79-89.
Chiais E. (2022), Davanti a San Pietro in sneakers e blue jeans: riflessioni semiotiche sul corpo rivestito di Carlo Acutis in
Papasidero M. Resta M. (a cura di), I santi internauti 2. Agiografia, devozioni e icone digitali, Viella: Roma.
Chiais E. (2022), “Quest’anno è di moda il cristianesimo”. Fenomeni di riscrittura tra moda e religione cattolica, in
Corgnati M. (a cura di), Wunderkammer 1. Scrivere, riscrivere, cancellare, Silvana Editoriale: Milano.
Chiais E., Fassone R. (2022), La moda e il videogioco: una contaminazione culturale in D’Aloia A. Pedroni M. (a cura di), I
media e la moda. Dal cinema ai social network, Carocci: Roma.
Chiais E. (2022), Autobiografie spirituali in formato www in Ponzo J. Garofalo F. (a cura di), Autobiografie spirituali, Aracne: Roma.
Chiais E. (2022), From “Out of fashion” to Upcycling. How Art and the Fashion Industry Have Resemantized the Word
“Recycling” in «ZoneModa Journal», Vol.12 n.1 (2022), pp. 135-144.
Chiais E. (2022), Dante nel magistero e nella Chiesa novecentesca, in Kubas M.M., Galofaro F. (a cura di), “Questioni di
santità. Prospettive (semiotiche) su Dante” «Ocula», Vol.23 n.26 (2022), pp. 109-121.
Chiais E. (2021), M¥SS KETA come persona collettiva: Fenomenologia di una maschera in occhiali, veletta e CAPSLOCK in
Ponzo J. Vissio G. (a cura di), Culture della persona: itinerari di ricerca tra semiotica, filosofia e scienze umane, Accademia
University Press: Torino.
Chiais E. (2021), Make Up, Make Sense: Appunti sul trucco tra ieri e oggi in Leone M. (a cura di) “Volti Artificiali –
Artificial Faces” «Lexia», Voll.37-38 (2021), pp. 341-356.
Chiais E. (2020), From the Bronx to the Boutiques: The Rise of Street Style in the Fashion Industry in Marino S. (a cura di),
The Culture, Fashion and Society Notebook 2020, Bruno Mondadori - Pearson Italia: Milan-Turin.
Chiais E. (2020), Transparente, semitransparente, opaco: tipología de los escaparates de moda in “Volver a la Moda… en le
Web” «deSignis», Vol.32 (2020), pp. 63-72.
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