Anna Luigia De Simone

Anna Luigia De Simone is a Senior Researcher in Cinema, Photography and Television (L-Art/06) at the Faculty of Arts, Tourism and Markets of IULM University where she teaches Curatorship of Art, Television and Cultural Heritage, Arts and Tourism exhibitions and is a member of the Doctoral Board in Visual and Media Studies.

In 2015, she coordinated the curatorial staff of Codice Italia, the exhibition of the Italian Pavilion 2015 - 56. International Art Exhibition of the Venice Biennale, curated by V. Trione.
Currently, she coordinates the editorial project of the Encyclopedia of Contemporary Art Treccani, directed by V. Trione.

Since 2017, she has been working for the monthly magazine "Arte" (Cairo Editore).

In 2000, she graduated in Architecture at the SUN University, where, in 2004, she obtained the title of PhD in History and Criticism of Architecture and, from 2005 to 2007, she was the holder of a research grant. Between 2012 and 2017 she was a junior researcher in History of Contemporary Art (L-Art/03) at the IULM University.

Between 2009 and 2010, she was Adjunct Professor of Contemporary Art and Multimedia Communication at the SUN Industrial Design Course and Professor of Contemporary Art History at the SUN Master of Jewellery Design. For the academic year 2011-2012,  she held the integrative course in Methodology for the enhancement of contemporary art for the teaching of Elements of History of Art and Culture-Art and new media at IULM. In the same university, at the CdS Triennali and Magistrale of the Faculty of Arts, Tourism and Markets, she has held the following courses: Contemporary Art Trends (2012-2013), Public Art (2012-2014), Art and Advertising (2014-2015), History of Contemporary Art and Methodology and Curatorship of Contemporary Art Exhibitions (2015-2016). She was a lecturer at the Master's Degree in Design Excellence for the historic city of the University of Naples "Federico II", in 2016, and at the Master's Degree in Design Direction, communication & management IULM, in 2018.

Among her essays: Andy Warhol in the mirror. Retract Others to Portrait Yourself ("Fata Morgana", 2011), Inside the Image. How to watch a picture on television, in A. Grasso, V. Trione (a c. di), Arte in tv. Forms of dissemination (Johan & Levi, 2014), Salvador Dalí: for a theory of liquid television ("Fata Morgana", 2016), An archive without walls. Salvador Dalí and Italian television ("L'avventura", 2017), La Factory del selfie. The image shared by Andy Warhol at Instagram, in M. Mazzocut-Mis, C. Spenuso (a. c. di), Fermo immagine (Mimesis, 2018), and numerous contributions in the book a c. by V. Trione, Il cinema degli architetti (Johan & Levi, 2014).

She is the author of the volumes Architetture d'avanguardia. Scenarios and visions of the city in the twentieth century (Alinea, 2008), The surface of the world. Space of the image and image of the space in the portraits of Andy Warhol (Spartaco, S. Maria C.V., 2012) and Andy Warhol's TV. From art to television (Mimesis, 2017).
In 2009, she edited for Scheiwiller the collection of reviews by Gillo Dorfles. Posted at the Biennale 1949 to 2009.

In 2014, she conducted the research, coordinated by V. Trione, L'arte delle donne. The artists in the contemporary museum collections, the results of which are published on www.corrieredellasera.it (December 2014).

Since 2005, she has been collaborating on archival-documentary research and catalogues for international exhibitions, including: Mario Sironi/Constant Permeke: i luoghi e l'anima (Federico Motta, 2005); El siglo de Giorgio de Chirico (Skira, 2007); Valencia 09-Confines. Passajes de las artes contemporaneas (IVAM, 2009); Pintar sobre el mar (IVAM, 2010); Salvador Dalí. The dream is approaching (24 hours culture, 2010); Alberto Savinio. The Commedia dell'Arte (24 hours culture, 2011); Post-classics. La ripresa dell'antico nell'arte contemporanea italiana (Electa, 2013), Codice Italia (Bompiani, 2015).

In 2014, she was responsible for the editorial coordination of the volumes A. Grasso, V. Trione (a c. di), Arte in tv. Forms of dissemination, Johan&Levi (with V. di Orio and C. Penati), and V. Trione (a c. di), Il cinema degli architetti, Johan & Levi (with V. di Orio).

In 2009, she organised (with V. Trione, B. Granata and L. Troise) the exhibition Resistance. Moments of contemporary art in Naples (H. Nitsch Museum, Naples). And, in 2010, the section "Dali and the media" of the exhibition Salvador Dali. The dream is coming up. In 2013, she was assistant curator of the exhibition Post-classici. The revival of the ancient in contemporary Italian art, organised by V. Trione, at the Roman Forum and the Palatine of Rome. Among the exhibitions  she also coordinated: Igort. Pagine nomadi (Triennale di Milano, 2012), Claudio Abate. Obiettivo arte (Triennale di Milano, 2013), In atelier. Aurelio Amendola: photographs 1970-2014 (Triennale di Milano, 2014) and Gregorio Botta. Another Last Supper (Triennale di Milano, 2015-Expo 2015). In 2016 and 2017, she was responsible for the critical coordination of the exhibitions GAME VIDEO/ART. A SURVEY, and Antonio Biasiucci. Rites (IULM OPEN SPACE-XX1 Milan Triennial).

MAIN AREAS OF SCIENTIFIC INTEREST

Her research is part of the horizon of visual studies, between the investigation of intermediate processes and the deepening of the visual production of personalities who, in the twentieth century, moved between different registers contributing to the reading and transformation of the media environment.

Although IULM University applies all necessary diligence to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it

The owner of this curriculum vitae is solely responsible for the correctness and truthfulness of the information contained therein.

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

2018

La Factory del selfie. L’immagine condivisa da Andy Warhol a Instagram, in M. Mazzocut-Mis, C. Spenuso (a cura di), Fermo immagine, Mimesis, Milano, 2018, pp. 99-111.

2017

Warhol, in V. Codeluppi, M.A. Polesana (a cura di), Baudrillard ovunque, Meltemi, Milano, 2017, pp. 61-70.

Un archivio senza pareti. Salvador Dalí e la televisione italiana, in “L’avventura. International Journal of Italian Film and Media Landscapes”, n. 2, 2017, pp. 187-199.

Andy Warhol’s TV. Dall’arte alla televisione, Mimesis, Milano, 2017.

2016

Salvador Dalí: per una teoria della televisione liquida, in “Fata Morgana. Quadrimestrale di cinema e visioni”, n. 29, 2016, pp. 77-88.   

Il videogioco quotidiano. Andy Warhol verso la game art, in M. Bittanti, V. Trione (a cura di),GAME VIDEO/ART. A SURVEY, Silvana Editoriale, Milano, pp. 20-23.   

2015      

Peter Greenaway; Francesco Barocco; Vanessa Beecroft; Marzia Migliora, in V. Trione (a cura di), Codice Italia, Bompiani, Milano, 2015, pp. 60-73, 120-135, 176-183 (versione italiano e inglese).

Memorie dal presente, in V. Trione (a cura di), Codice Italia Academy, Gangemi, Roma, 2015, pp. 34-35.

2014      

Officina creativa; Happening, in V. Trione (a cura di), In atelier. Aurelio Amendola: fotografie 1970-2014, FMR, Forlì, 2014, pp. 22-23, 42-43.

Dentro l'immagine. Come si guarda un quadro in televisione, in A. Grasso, V. Trione (a cura di), Arte in tv. Forme di divulgazione, Johan & Levi, Milano, 2014, pp. 81-90.

Vito Acconci; Emilio Ambasz; Archigram; Giovanni Astengo; Mario Bellini; Livio Castiglioni; Giancarlo De Carlo; Carlo Doglio; Angelo Mangiarotti; Gianni Pettena; Franco Purini; Aldo Rossi; Gruppo Strum; Superstudio; Kenzo Tange; UFO (Unidentified Flying Object), in V. Trione (a cura di), Il cinema degli architetti, Johan & Levi, Milano, 2014, pp. 45-59, 75-78, 83-86, 95-98, 136-138, 178-181,190-192, 203-207, 225-236, 241-244.

2013      

Scritture; curatela dell'Antologia di testi di artisti contemporanei sulla classicità, in V. Trione (a cura di), Post-classici. La ripresa dell'antico nell'arte contemporanea italiana, Electa, Milano, 2013, pp. 158-164, 165-180.       

2012      

La superficie del mondo. Spazio dell’immagine e immagine dello spazio nei ritratti di Andy Warhol, Spartaco, Santa Maria Capua Vetere, 2012.

2011      

Andy Warhol allo specchio: Ritrarre altri per ritrarre sé, in “Fata Morgana. Quadrimestrale di cinema e visioni”, n. 15, 2011.

Geografie di guerra tra arte, fotografia e cinema: Malaparte guarda Napoli, in "Meridione – Sud e Nord nel mondo”, atti del convegno La Napoli degli Americani. Dalla Liberazione alla Ricostruzione, Facoltà di Architettura “Luigi Vanvitelli” della Seconda Università degli Studi di Napoli, luglio 2011, pp. 156-169.

2010      

G. Dorfles, Inviato alla Biennale Venezia 1949-2009, a cura di A.L. De Simone, Scheiwiller, Milano, 2010.

Schede tecniche delle opere in catalogo e Bibliografia su S. Dalí e il paesaggio, in V. Trione (a cura di), Salvador Dalí. Il sogno si avvicina, 24OreCultura, Milano, 2010, pp. 64-71, 74-75, 88-91, 94-95, 122-135, 144-147, 158-159, 168-169, 172-173, 186-197, 204-207.

2009      

Scene da un “New York Movie”. Edward Hopper e il cinema, in “Duellanti”, n. 57, novembre 2009, pp. 72-74.

Napoli: il sisma dell’arte. I musei, in V. Trione (a cura di), Resistenze. Momenti dell’arte contemporanea a Napoli, Pironti, Napoli, 2009.

2008      

Architetture d’avanguardia. Scenari e visioni della città nel Novecento, Alinea, Firenze, 2008.

Terra di Lavoro, in A. Gambardella, D. Jacazzi (a cura di), Architettura del Classicismo tra Quattrocento e Cinquecento, Gangemi, Roma, 2008, pp. 124-151, 200-202, 214-231; Principato Citra, in Ivi, pp. 354-355, 379-381 (Prin 2003-2005).

 

 

 

 

Pur applicando tutte le necessarie diligenze volte a garantire la pubblicazione di informazioni corrette, aggiornate e complete, l’Università IULM non è responsabile dei contenuti riportati nei curricula pubblicati online sul Portale www.iulm.it.
Il titolare del presente curriculum vitae è garante e responsabile in via esclusiva della correttezza e veridicità delle informazioni in esso riportate.

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

COURSES 2020/2021

Bachelor of Science in Arts, Media, Cultural Events

- Art and television

Bachelor of Science in Fashion and creative industries

Contemporary visual arts

- History of contemporary art

Master's Degree in Art, Valorisation and Market

Theory and practice communication of artistic events

- Curatorial practice and exhibition media 

COURSES 2019/2020

Bachelor of Science in Arts, Performing Arts, Cultural Events

-Art and television

Master's Degree Course in Arts, Valorisation and Markets

- Art and media curatorship

Master's Degree in Hospitality & Tourism Management

- Cultural Heritage, Arts and Tourism

COURSES 2018/2019

Bachelor of Science in Arts, Performing Arts, Cultural Events

- Art and television

Master's Degree in Arts, Heritage and Markets

- Curatorship of art exhibitions

Master's Degree in Hospitality & Tourism Management

- Cultural heritage, arts and tourism

COURSES 2017/2018

Bachelor in Arts, Design and Entertainment

- Art and television

Master's Degree in Arts, Heritage and Markets

- Theory and practice of artistic and cultural events

Curatorship of contemporary art exhibitions

Master's Degree in Hospitality & Tourism Management

Cultural heritage, arts and tourism

COURSES 2016/2017

Degree Course in Arts, Design and Entertainment (in common with the Degree Course in Tourism: culture and development of territories)

- Art and television

Master's Degree in Arts, Heritage and Markets

- Curatorship of contemporary art exhibitions

COURSES 2015/2016

Degree Course in Arts, Design and Entertainment (in common with the Degree Course in Tourism: culture and development of territories)

Contemporary visual languages - History of contemporary art

Bachelor of Science in Tourism: culture and development of territories

- History of contemporary art

Degree Course in Tourism: culture and development of territories (in common with the Degree Course in Arts, Design and Entertainment)

- History of contemporary art

Master's Degree in Arts, Heritage and Markets

Operational practices - Methodology and curatorship of contemporary art exhibitions

COURSES 2014/2015

Bachelor of Science in Arts, Design and Entertainment (in common with the Bachelor of Science in Communication in Art and Culture Markets)

- Art and advertising

Bachelor of Science in Tourism: culture and development of territories

- History of contemporary art

Bachelor in Arts, Design and Entertainment

Contemporary visual languages

- History of contemporary art

COURSES 2013/2014

Bachelor of Science in Communication in the Art and Culture Markets

Culture in public spaces

- Public art

COURSES 2012/2013
Degree Course in Communication in the art and culture markets

- Contemporary artistic trends

Master's Degree Course in Arts, Heritage and Markets
- Laboratory of Cultural Design for the Territory