Girolamo Gianneri

Mimmo Gianneri obtained his PhD in Communication and New Technologies at the IULM University of Milan, with a thesis on the history and contemporary forms of production and consumption of Neapolitan neomelodic song. Since 2008, he has been collaborating in the teaching and research activities of the Cinema Department of the Institute of Comparative Arts, Cultures and Literatures. Since 2010, he has been teaching Film Language in the Film and Television Languages course at the IULM University. In 2013, he coordinated the master's degree Writing about Cinema at the IULM School of Communication. In 2014, he taught at the Laboratory of writing and communication in Italian, in the same University. He has collaborated on research projects on the imagery of contemporary Italian cinema (Fondazione Cariplo), on innovative models of communication and promotion of contemporary Italian cinema (PRIN 2008) and on the representation of the mafia in Italian cinema (Fondazione Banco di Sicilia). He has designed and supervised image education workshops for middle and high schools. Since 2014, he has been teaching History of Cinema at the CISA (International Conservatory of Audiovisual Sciences) in Lugano.

Areas of scientific interest

History of Italian cinema
Grammar and rhetoric of audiovisual languages
Sound studies (with particular attention to sound in cinema and new audiovisual forms on the web)
Theory and practices of film criticism

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

• “Battlestar Galactica. La musica, il sonoro e le trame inascoltate della tecnologia”, in Sara Martin (a cura di), Scrittura/Figure/Mondi, Mimesis, Milano-Udine, 2014

• “La meglio gioventù” e “Padroni di casa”, in L. Malavasi (a cura di), Italia cinema di famiglia. Storia, generi e modelli, monografico di Quaderni del CSCI – Rivista annuale di cinema italiano, n. 9, 2013

• “Eccezioni distributive: la rete come spazio di visione parassitario e alternativo”, in G. Canova (a cura di), Voglia di cinema. Comunicazione e promozione del film in Italia, Forum Edizioni, 2013, pp. 33-44

• “Generi e Generazioni” in Gianni Canova, Luisella Farinotti (a cura di), Atlante del cinema italiano, Garzanti, Milano, 2011, pp. 147-184

• “Il musicarello: modello intermediale e propulsore di nuove ibridazioni” in Massimo Locatelli, Elena Mosconi (a cura di), Comunicazioni sociali - Cinema e sonoro in Italia (1945-1970), Vita e Pensiero, Milano, novembre 2011, pp. 66-73

• “Mediterraneo” e “La resa dei conti” in Louis Bayman (ed.), Directory of World Cinema: Italy, Intellect Ltd. Books, Bristol, 2011

•  Revisione complessiva delle voci per la nuova edizione di Gianni Canova (a cura di), Enciclopedia del Cinema Garzanti (collana le Garzantine), Milano, 2008

•  Collabora alla rivista ComPol, Il Mulino, per la rubrica “Cinepolitica” (a cura di Luisella Farinotti) e alla rivista 8 ½. Numeri, visioni e prospettive del cinema italiano, Istituto Luce-Cinecittà

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.