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Diego Cassani

Tenured teacher
Diego Cassani

Department of Communication, Arts and Media
Faculty of Communication
Diego Cassani

Contacts

Telephone
+39 02 891412604

Fax
+39 02 891412604

Email
[email protected]

Born in Milan on 5 January 1954. DAMS degree in Bologna.

Video editor in the 1980s, he has collaborated and continues to collaborate as an editor in the production of programmes such as "Big Bang", "Jonathan" and "Anthropos", documentaries for RAI2, Arte and for Swiss TV; music videos, commercials and institutional films.

In the early 1990s he made as an author a series of transmissions of history of cinema for Tele+.

He has also participated in the development of several multimedia projects, including, for the Cariplo Foundation, the CDRom "Europe of Cultures".

In the field of editorial work, he has collaborated with film criticism magazines (Cinema & Cinema), encyclopedic initiatives (among others, the "Dizionario Universale del Cinema" by Editori Riuniti, the "Dizionario degli Autori" by Bompiani and "I grandi capolavori del cinema internazionale" by De Agostini), the organization of photographic exhibitions ("Hollywood anni '30" for the Biennale Cinema, "Rambaldi e gli effetti speciali" for the Republic of San Marino).

He teaches editing theory and non-linear editing at the School of Cinema, Television and New Media - SCM Foundation; he teaches and in workshops at the IULM University of Milan. He has held courses and seminars at the CISA of Lugano (International Conservatory of Audiovisual Sciences), the Politecnico of Milan and the Catholic University of Brescia, and as part of refresher courses organized by IRRE Marche and IRRE Veneto.

Areas of scientific interest
Film and audiovisual editing
History of technology and audiovisual
forms Interactive multimedia

 

 

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

"Gli strumenti e le forme di un cinema perduto". In "Hollywood anni trenta" (a cura di Lorenzo Pellizzari). (La Biennale di Venezia, Venezia, 1982).
 
"Per un lessico molto speciale". In "Carlo Rambaldi e gli effetti speciali" (a cura  di Lorenzo Pellizzari). (AIEP Editore, San Marino, 1987)
 
"Manuale del montaggio. Tecnica dell’dediting nella comunicazione cinematografica e audiovisiva" (UTET, Torino, 2000).
 
"Manuale del montaggio video. Come conoscere e utilizzare strumenti e software professionali" (Hoepli, Milano, 2004).
 
"Mentire 24 (o 25) volte al secondo". In "La bella immagine" (a cura di Angela Gregorini). (Lab80, Bergamo, 2007).
 
"Breve dialogo sopra le piccole cose che hanno reso grande l'arte del cinematografo". Leggi  (n° 1 - 2009)
  
"Due guardoni all'inizio del XX secolo. Un caso di evoluzione della cultura alla nascita del montaggio cinematografico". Leggi (n° 3 - 2009)

 

 

 

Pur applicando tutte le necessarie diligenze volte a garantire la pubblicazione di informazioni corrette, aggiornate e complete, l’Università IULM non è responsabile dei contenuti riportati nei curricula pubblicati online sul Portale www.iulm.it. Il titolare del presente curriculum vitae è garante e responsabile in via esclusiva della correttezza e veridicità delle informazioni in esso riportate.