Daniela Cardini

Confirmed researcher (Aggregate Professor), scientific discipline L-ART/06, Cinema, Photography and Television.

Graduated in Foreign Languages and Literature, with a thesis in Sociology of Communication. Graduated interpreter and translator (English and French).

At IULM University, she is currently a lecturer in Format and TV series at the Master's Degree Course in Television, Cinema and New Media, and in Theory and Technique of TV Language at the Bachelor's Degree Course in Communication, Media and Advertising.

She is a member of the Board of Teachers of the Doctorate in Visual and Media Studies at IULM University, and was a member of the Board of Teachers of the Doctorate in Communication and New Technologies (2006-2009).

At IULM University, she has taught, among other things, Theories and techniques of mass communications, History of sociological thought, Theory and techniques of television fiction, Sociology of television fiction, Formats and television products.

She was a Research Fellow (2000-2002) at the Faculty of Communication Sciences of IULM University, with a research project entitled "Television narration: forms, contents and audience of the serial story".

At the University of Siena, Faculty of Letters and Philosophy, she was the holder of the course of Theory and Techniques of Mass Communications (from 1999 to 2001).

At the Catholic University of Milan, she teaches Theories and Techniques of Music Television at the Master's Degree in Music Communication for Discography (since 2002).

She has participated in national research projects (MIUR, Prin) and has carried out research activities for numerous institutional subjects, including: Rai, Mediaset, Milan Chamber of Commerce, Ferrara Municipality, Milan Municipality, Lombardy Region, Telecom Italia research sector, AssaP.

She is part of the Scientific Committee of the magazine Testo a fronte.

She collaborates as a consultant with numerous scientific journals and publications, including: Social Communications, Between, Series. International Journal of Serial Narratives, ComPol.

She carries out creative and strategic consultancy activities in the television sector.

Areas of scientific interest

Television Seriality

Analysis of media narratives

Theories and techniques of television language (genre, grammar, consumption)

Forms and techniques of narrative and productive seriality

Television and media consumption practices

Although IULM University applies all necessary diligence to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it
The holder of this curriculum vitae is the sole guarantor and responsible for the accuracy and truthfulness of the information contained therein

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

Monografie

Cardini D., Long TV. Le serie televisive viste da vicino, Unicopli, Milano 2017.

Livingstone Sonia M., Cardini D. (editor and translator), Lo spettatore intraprendente. Una analisi del pubblico televisivo, Carocci, Roma 2006.

Cardini D., La lunga serialità televisiva. Origini e modelli, Carocci, Roma 2004.

Cardini D., D’Andrea S. Storie nella rete. Fiction e cinema sul web, Franco Angeli, Milano 2003.

Rosengren Karl E., Cardini D. (translator), Introduzione allo studio della comunicazione, Il Mulino, Bologna 2001 (ed. or.: Communication: An Introduction, London-Thousand Oaks-New Delhi: Sage, 2000).

Cardini D., Di Fraia G., Il problema della pubblicità comparativa, Copli, Milano 1994.

 

Volumi a cura

Cardini D., (a cura di), Le serie sono serie – seconda stagione, Arcipelago, Milano 2015

Cardini D. (a cura di), Ogni luogo è narrativo. Il factual nella televisione italiana, Arcipelago, Milano 2013

Cardini D. (a cura di), Le serie sono serie, Arcipelago, Milano 2010

Cardini D. (a cura di), Letture sulla tv, Arcipelago, Milano 2007

Cardini D., Chiappa M. (a cura di), Saggi sul comico, Arcipelago, Milano 2005

Cardini D., Battocchio F. (a cura di), La produzione televisiva tra format e reality show. Materiali di studio, Arcipelago, Milano 2004

Cardini D. (a cura di), La televisione racconta. Materiali per l’analisi della fiction televisiva, Arcipelago, Milano 2000

 

Saggi e capitoli di libri

“A Slippery Slope. The Rise and Fall of the Domestic Soap Opera in Italian Public and Commercial television”,  View - Journal of European Television History and Culture, vol. VI (11), Summer 2017. 

Cardini D., Sibilla G., “Soglie sonore. La canzone nelle scene e nelle sigle delle serie tv“, con Gianni Sibilla,  Imago-Paesaggi sonori, Bulzoni, Roma 2017, pp. 59-70.

Cardini D., “La fiction verso la lunga serialità“, in A. Grasso (a cura di), Storia della comunicazione e dello spettacolo in Italia (vol. III), Vita e Pensiero, Milano, 2017, pp. 81-86

Cardini D., “La televisione: scenari e contenuti”, in  AA.VV., La società italiana. Cambiamento sociale, consumi e media, Guerini Next, Milano 2016, pp. 175-186

Cardini D., “Serial Contradictions. The Italian Debate on TV Series”, Series-International Journal of Serial TV Narratives, 2016, Vol. II (1), pp. 47-54, 2016 (DOI: 10.6092/issn.2421-454X/6163)

Cardini D., “Le serie tv sono la nuova soap opera? Luci ed ombre del dibattito critico sulla serialità”, Between, vol. VI (11), 2016, pp. 1-23, 2016 (DOI: http://dx.doi.org/10.13125/2039-6597/2106)

Cardini D., “Raccontare la quotidianità. Lo storytelling televisivo negli anni Dieci”, in P. Giovannetti (a cura di), Quaderni della ricerca n. 26: La letteratura in cui viviamo. Saggi e interventi sulle competenze letterarie, Loescher, Torino 2015, pp. 30-34

Cardini D., “Stagioni pilota e film a puntate: la nuova serialità tra cinema e televisione”, Rivista Il Mulino, 16 novembre 2016, https://www.rivistailmulino.it/item/3620

Cardini D., “Il Tele-cinefilo. Il nuovo spettatore della Grande serialità televisiva”, Between, vol. IV (8), pp. 1-30, 2014.

Cardini D., “Come ti aggiusto il cane. Il dog factual”, in D. Cardini (a cura di), Ogni luogo è narrativo. Il factual nella televisione italiana, Arcipelago, Milano 2013,

Cardini D., “Looking for 'A Place in the Sun'?: The Italian Way to Soap Opera”, in Diana I. Rios, Mari Castaneda (eds.),  Soap Operas and telenovelas in the Digital Age. Global Industries and New Audiences, Peter Lang, New York  2011.

Cardini D., “La performance musicale nei media events televisivi, dai Grammy a Sanremo”, Prove di drammaturgia, vol. 17, 2011,  p. 21-24.

Cardini D., “Issue, process e gossip politics: il racconto della politica nella grande serialità statunitense”, ComPol, vol. XI (3), dicembre, 2010 , pp. 403-417.

Cardini D., “La tv da ‘mangiare’. Giovani, internet e serialità televisiva”, intervento in Il Novecento: il secolo perduto. Schermi di massa, massa di schermi (a cura di A. Abruzzese), Atti del Convegno omonimo, Università IULM, 11 marzo, Unicopli, Milano 2010, pp. 31-46.

Cardini D., “Musica, media e new media in Italia all’inizio del nuovo millennio. Analisi empirica di una relazione complessa”, in Estero A., Salvetti G. (a cura di), Italia 2000. Musica nel Novecento Italiano, vol. 4, Guerini, Milano 2009.

Cardini D., “Il traduttore intraprendente. Sonia Livingstone e il concetto di audience”, in S. Livingstone, Lo spettatore intraprendente. Una analisi del pubblico televisivo, a cura e trad. it. di Daniela Cardini, Carocci, Roma 2006.

Cardini D., “La televisione: dalle teorie alla tecnica?”, La Nuova Informazione Bibliografica, n. 2, Il Mulino, Bologna 2004, pp. 357-370.

Cardini D., “I media e il paesaggio”, Ministero per i Beni e le Attività Culturali, Gabinetto del Ministro e Ufficio Centrale per i Beni Ambientali e Paesaggistici (a cura di), Conferenza nazionale per il paesaggio. Atti,  Roma, Gangemi Editore 2000, pp. 540-542.

Cardini D., “La televisione: linguaggio e modalità produttive”, in M. Livolsi (a cura di), Manuale di sociologia della comunicazione, Laterza, Roma-Bari 2000, cap. 17, pp. 351-396

Cardini D., “Il processo di produzione della televisione” e “Il linguaggio televisivo”, in M. Livolsi  (a cura di), Forme e modi del comunicare, Copli, Milano 1999,  capp. 9 e 12, pp. 259-289 e pp. 349-383.

Cardini D., Capecchi S., “Un posto al sole: produzione, contenuti e pubblico della prima soap opera italiana”, Problemi dell’informazione, n. 2/98, giugno, 1998, pp. 245-267

Le voci:   “Comunicazione di massa”, “Effetti”, “New Media”, “Analisi del contenuto”, “Armando Testa”, “Saatchi&Saatchi”, “Young&Rubicam”, Enciclopedia Encarta 98, Cd-Rom, Microsoft, 1998.

Cardini D., “La fiction”, in F. Colombo (a cura di), Televisione e industria culturale in Italia, Copli, Milano 1997, pp. 93-122.

Cardini D.., Colombo F., “I videogame tra gioco e comunicazione”, in F. Di Spirito, C. Ottaviano, P. Ortoleva, Lo strabismo telematico, Utet Libreria, Torino 1996, pp. 236-269

Cardini D., L’immagine. Dieci anni di comunicazione d’impresa (con Francesco Alberoni), IP Italiana Petroli, Genova 1996, pp. 30-37, 54-60, 88-102, 118-122, 134-146

“Il mondo dei videogiochi”, Mediario 1995, VIVA Edizioni, Torino 1995.

“Videocrazia anno zero”, Rapporti dell’Osservatorio sulla comunicazione elettorale dello IULM, Sette, suppl. del Corriere della Sera, nn. 1,3,6, febbraio-marzo 1994.

 

Traduzioni

In: Livingstone Sonia M., Lo spettatore intraprendente. Analisi del pubblico televisivo, a cura e trad. it. di Daniela Cardini, Carocci, Roma 2006

traduzione dei saggi:

- S. M.. Livingstone, “The active viewer”, in Id., Making Sense of Television (2nd ed.), Routledge, London-New York 1998, pp. 33-50.

- Id., “Relationships between media and audiences. Prospects for future research”, in T. Liebes, J. Curran (eds.), Media, Ritual and Identity.  Essays in   Honour of Elihu Katz, Routledge, London1998.

- Id., “Audience reception: the role of the viewer in retelling romantic drama”, in J. Curran, M. Gurevitch (eds.), Mass Media and Society,  Arnold,  London 1991 (1st ed.).

- Id., “The resourceful reader. Interpreting television characters and narratives”, Communication Yearbook, 1992, pp. 58-90.

- Id., “Watching talk. Gender and engagement in the viewing of audience discussion programmes”, Media, Culture and Society, 1994, pp. 429-47.

- Id. “The case of the soap opera”, in Id. Making Sense of Television. The Psychology of Audience Interpretation, (2nd ed.), London-New York: Routledge, 1998, pp. 51-67.

- Id., “The changing nature of audiences. From the mass audience to the interactive media user”, in A. Valdivia (ed.), The Blackwell Companion to Media Research, Blackwell, Oxford 2003, pp. 337-59.

Traduzione integrale del volume:

Karl E. Rosengren,  Communication: An Introduction, London-Thousand Oaks-New Delhi: Sage, 2000. (trad. it.: Karl E. Rosengren, Introduzione allo studio della comunicazione, Il Mulino, Bologna 2001).

In: Cardini D. (a cura di), La televisione racconta. Materiali per l’analisi della fiction televisiva, Arcipelago, Milano 2000

traduzione dei saggi:

- D. Thorburn, “Television melodrama”, in H. Newcomb (ed.), Television. The Critical View (5th ed)., Oxford University Press, New York 1994.

- D. Barker, “Television production techniques as communication”, in Critical Studies in Mass Communication, sett. 1985.

- R. Hagedorn, “Doubtless to be continued… a brief history of serial narrative”, in R.C. Allen (ed.), To be continued…Soap Operas around the World, Routledge, London-New York 1995.

- J. Mayerle, “Roseanne – How did you get inside my house? A case study of a hit blue-collar situation comedy”, in H. Newcomb, Television. The Critical View (5th ed.), Oxford University Press, New York 1994.

- R. J. Thompson, “Quality television”, in Id., Television’s Second Golden Age: from Hill Street Blues to E.R, Syracuse University Press, New York- Syracuse 1996.

- G. Coles, “Docusoap: actuality and the serial format”, in B. Carson e M. Llewellyn-Jones (eds.), Frames and Fiction on Television. The Politics of Identity within Drama, Intellect Books, Exeter-Portland 2000.

 

 

 

Pur applicando tutte le necessarie diligenze volte a garantire la pubblicazione di informazioni corrette, aggiornate e complete, l’Università IULM non è responsabile dei contenuti riportati nei curricula pubblicati online sul Portale www.iulm.it.
Il titolare del presente curriculum vitae è garante e responsabile in via esclusiva della correttezza e veridicità delle informazioni in esso riportate.

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

COURSES 2022/2023

Bachelor of Science in Communication, Media and Advertising

TV languages

- History and tv models

- Workshop I: tv programmes

TV: models and professions

Master's Degree in Television, Cinema and New Media

Cross-media series

- Tv series and formats

COURSES 2021/2022

Bachelor of Science in Communication, Media and Advertising

TV languages

  - History and tv models

  - Workshop I: tv programmes

TV: models and professions

Master's Degree in Television, Cinema and New Media

Cross-media series

  - Tv series and formats

COURSES 2020/2021

Bachelor of Science in Communication, Media and Advertising

TV languages: theory and techniques

Bachelor of Science in Communication, Media and Advertising

TV: models and professions

Master's Degree in Television, Cinema and New Media

- Cross-media series

Tv series and formats

COURSES 2019/2020

Bachelor of Science in Communication, Media and Advertising

- Theories and techniques of television language

— TV: models and professions

Master's Degree in Television, Cinema and New Media (Address: Television and Cross Media)

- Cross-media seriality Format and TV series

COURSES 2018/2019

Bachelor of Science in Communication, Media and Advertising

-Theories and techniques of television language

Master's Degree in Television, Cinema and New Media (Address: Television and Cross Media)

- Cross-media seriality Format and TV series

- Elements of music and discography

COURSES 2017/2018

Bachelor of Science in Communication, Media and Advertising

- Theories and techniques of television language

Master's Degree in Television, Cinema and New Media (Address: Television and Cross Media)

Storytelling and cross-media narratives

- Formats and TV series

COURSES 2016/2017

Bachelor of Science in Communication, Media and Advertising

- Theories and techniques of television language

Master's Degree in Television, Cinema and New Media (Address: Television and Cross Media)

Storytelling and cross-media narratives

- Formats and TV series

COURSES 2015/2016

Bachelor of Science in Communication, Media and Advertising

- Theories and techniques of television language

Master's Degree in Television, Cinema and New Media (Address: Television and Cross Media)

Storytelling and cross-media narratives

- Formats and TV series

COURSES 2014/2015

Bachelor of Science in Communication, Media and Advertising

- Techniques and genres of radio and television fiction

Master's Degree in Television, Cinema and New Media (Address: Television and Cross Media)

Storytelling and cross-media narratives

- Formats and TV series

COURSES 2013/2014

Bachelor of Science in Communication, Media and Advertising

- Techniques and genres of radio and television fiction

Master's Degree in Television, Cinema and New Media

- Formats and television products

COURSES 2012/2013

Bachelor of Science in Communication, Media and Advertising -

Techniques and genres of radio and television drama

Master's Degree in Television, Cinema and New Media

Formats and television products

COURSES 2011/2012
Bachelor of Science in Communication, Media and Advertising

— Techniques and genres of radio and television fiction

COURSES 2010/2011
Degree Course in Communication, Media and Advertising

- Techniques and genres of radio and television fiction

Master's Degree in Television, Cinema and New Media

— Television Formats and Products