Vincenzo Trione
Dean of the Faculty of Arts and Tourism
Department of Communication, Arts and MediaFaculty of Arts and Tourism
Contacts
Individual tutorial
Timetable
IN THE SECOND TERM 2018/19: every Monday from 2.30 p.m. to 4.00 p.m. by appointment to be agreed by email. The tutorials will be held at the Bureau of the Faculty of Arts and Tourism, sixth floor, IULM 1.Professor of Art and Media (L-ART/06), Vincenzo Trione also teaches History of Contemporary Art. He is Dean of the Faculty of Arts, Tourism and Markets and coordinator of the PhD in Visual and Media Studies. He is a regular contributor to the “Corriere della Sera”. He was Commissioner for the 14th Quadriennal in Rome (2003) and General Director of Valencia 09-Confines. Pasajes de las artes contemporaneas. He has been appointed curator of the Italian Pavilion at the 56th International Art Exhibition - la Biennale di Venezia (2015). He directs the Research and Training Department of the Madre Museum in Naples. In 2014 he has been elected member of the scientific committee of the Italian Encyclopedia Treccani. He is the General Director of the Treccani Contemporary Art Encyclopedia. He has curated exhibitions in museums both in Italy and abroad (including El siglo de Giorgio de Chirico at the IVAM in Valencia in 2007, Salvador Dalí and Alberto Savinio, both at Palazzo Reale in Milan, in 2010 and in 2011, and Post-classici at the Roman Forum and the Palatino in Rome in 2013). He has published numerous essays on periods and figures of the avant-garde. Among his books, Il poeta e le arti. Apollinaire e il tempo delle avanguardie (1999), Dentro le cose. Ardengo Soffici critico d’arte (2001), Atlanti metafisici. Giorgio de Chirico: arte, architettura, critica (2005), Le città del silenzio. Giorgio de Chirico: architettura, memoria, profezia (2009), Effetto città. Arte cinema modernità (2014, Premio Roma, Premio-giuria Viareggio), Contro le mostre (with Tomaso Montanari, 2017), L’opera interminabile. Arte e XXI secolo (2019).
Research lines
Vincenzo Trione’s research interests encompass visual studies, a theoretical field internationally attended by scholars from diverse backgrounds (history of art, history of cinema and media, cultural studies, sociology, aesthetics). Trione has investigated some territories, not always adequately examined by historiography, with the intention of sketching a network of deep correspondences involving painting, photography, cinema and literature: he has studied mainly the system of contemporary languages, understanding the connections that existed between theory and history of poetics, phenomenology of shapes and structures of the imaginary, during the avant-garde and the neo-avant-garde seasons. Finally, understanding the connections between arts and media. The aim is not to suggest an indistinct media flow, but to safeguard the proper of the various disciplines and, at the same time, to push them beyond their fences; to turn them into “mutants”; to relocate them; to open them up to other disciplines; finally, to lead them to free zones still little explored. The different “sectoral skills” are respected, but registers and codes are combined; junctions, conceptual frameworks, intersections between fields of knowledge are explored.
Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.
Oltre a numerosi saggi su momenti e figure delle avanguardie del XX e del XXI secolo, Trione ha pubblicato i seguenti volumi:
Il
poeta e le arti. Apollinaire e il tempo delle avanguardie, Guerini e Associati, 1999.
Dentro le cose. Ardengo Soffici critico d’arte, Bollati Boringhieri,
2001.
Atlanti metafisici. Giorgio de Chirico: arte, architettura, critica,
Skira, 2005.
La forma della città. Immagini cinematografiche e scenari urbani, Arte
tipografica, 2007.
Le città del silenzio. Giorgio de Chirico: architettura, memoria, profezia,
Skira, 2009.
Effetto città. Arte cinema modernità, Bompiani, 2014 (Premio Roma,
Premio-giuria Viareggio).
Contro le mostre (con Tomaso Montanari), Einaudi, 2017.
L’opera interminabile. Arte e XXI secolo, Einaudi 2019 (Premio-giuria Viareggio).
Artivismo. Arte, politica, impegno, Einaudi, 2022.
Co-direttore (con V. Della Valle) dell’Enciclopedia Treccani dell’Arte Contemporanea in quattro volumi (Istituto dell’Enciclopedia Italiana, 2021).
Ha curato mostre d’arte contemporanea in musei italiani e stranieri:
Monocromos. Varaciones
sobre el tema, Madrid,
Museo de la Reina, 2004.
I luoghi e l’anima. Mario
Sironi / Constant Permeke, Milano, Palazzo Reale, 2005.
El siglo de Giorgio de
Chirico. Metafísica y arquitectura, Valencia, IVAM, 2007.
Valencia09: Confines: pasajes
de las artes contemporaneas, Valencia, IVAM, 2009.
Ryan Mendoza. The Possessed, Napoli, Museo Madre, 2010.
Pintar sobre el mar. El mar
como pretexto, Valencia, IVAM, 2010.
Salvador Dalí. Il sogno si
avvicina, Milano, Palazzo Reale, 2010.
Alberto Savinio. La commedia
dell’arte moderna, Milano, Palazzo Reale, 2011.
Post-classici. La ripresa
dell'antico nell'arte contemporanea italiana, Roma, Foro romano e Palatino, 2013.
Codice Italia, Padiglione Italia della 56^ Biennale di Venezia - arti visive, 2015.
Codice Italia Academy, Venezia, Palazzo Grimani, 2015.
Inoltre, ha curato le sezioni dedicate all’Ottocento e al Novecento della mostra L’anima e il volto. Ritratto e fisiognomica da Leonardo a Bacon, a cura di F. Caroli, Milano, Palazzo Reale (1996). È stato responsabile della sezione dedicata al futurismo della mostra Napoli: gli anni difficili. L’arte dal 1920 al 1945, a cura di M. A. Picone Petrusa, Napoli, Villa Pignatelli e Castel Nuovo; poi, Roma, Palazzo delle Esposizioni (2000). È stato curatore della sezione “La natura dell’ombra” della mostra La natura secondo de Chirico, a cura di A. Bonito Oliva, Roma, Palazzo delle Esposizioni (2010) e della sezione “Arte” della mostra La Rinascita. Storie dell’Italia che ce l’ha fatta, a cura di D. Rampello, Asti, Palazzo Mazzetti, Palazzo Alfieri, Palazzo Ottolenghi (2013). È stato commissario della XIV Quadriennale di Roma (2003) ed è stato Direttore generale di Valencia 09-Confines: Passajes de las artes contemporaneas, Valencia, IVAM, 2009. Nel 2015 è curatore del Padiglione Italia della 56^ Biennale di Venezia - arti visive.
Ha curato i seguenti cataloghi:
I luoghi e l’anima. Mario
Sironi / Constant Permeke,
Federico Motta, 2005.
El siglo de Giorgio de
Chirico. Metafísica y arquitectura, Skira, 2007.
Confines: pasajes de las artes contemporaneas,
IVAM, 2009.
Ryan Mendoza. The Possessed, Electa, 2010.
Pintar sobre el mar. El
mar como pretexto,
IVAM, 2010.
Salvador Dalí. Il sogno si
avvicina, 24 Ore Cultura, 2010.
Alberto Savinio. La commedia
dell’arte, 24 Ore Cultura, 2011.
Post-classici. La ripresa
dell'antico nell'arte contemporanea italiana, Electa, 2013.
Codice Italia, Bompiani, 2015, ed. italiana e inglese.
Codice Italia Academy, Gangemi, 2015.
È coautore del libro Monocromos. De Malevich al presente (con G. Fabre, Ch. Ho e B. Rose, Documenta, 2004), che è stato tradotto in diverse lingue (Editions du Regard, 2004; The California University Press, 2006).
Ha curato i seguenti volumi:
(con G. Montesano), Alberto Savinio, La nascita di Venere. Scritti sull’arte, Adelphi, 2007.
Mimmo Rotella, Anni di piombo, Abscondita, 2012.
(con A. Grasso), Arte in tv. Forme di divulgazione, Johan & Levi, 2014.
Il cinema degli architetti, Johan & Levi, 2014.
Roberto Longhi, Boccioni e il futurismo, Abscondita, 2016.
Atlante dell'arte a Napoli e in Campania: 1966-2016, Electa, 2017.
(con G. Maraniello e A. Salvadori), Aria italiana. Enciclopedia minima per idee e visioni oltre la pandemia, Milano, Mousse Publishing, 2021.
Umberto Eco, Sull'arte. Scritti dal 1955 al 2016, La nave di Teseo, 2022.
Pur applicando tutte le necessarie diligenze volte a garantire la pubblicazione di informazioni corrette, aggiornate e complete, l’Università IULM non è responsabile dei contenuti riportati nei curricula pubblicati online sul Portale www.iulm.it.
Il titolare del presente curriculum vitae è garante e responsabile in via esclusiva della correttezza e veridicità delle informazioni in esso riportate.
COURSES 2023/24
Bachelor of Science in Arts and Cultural Events
Master's Degree in Art, Market and Valorization strategies
COURSES 2022/23
Bachelor of Science in Arts, Performing Arts, Cultural Events
Master's Degree in Art, Valorization Strategies and the Markets
COURSES 2021/22
Bachelor of Science in Arts, Performing Arts, Cultural Events
Bachelor of Science in Fashion and creative industries
- Art and mediaMaster's Degree in Art, Valorization Strategies and the Markets
COURSES 2020/2021
Bachelor of Science in Arts, Performing Arts, Cultural Events
Bachelor of Science in Fashion and creative industries
- Art and media
Master's Degree in Art, Valorization Strategies and the Markets
COURSES
2019/2020
Bachelor of Science in Arts, Performing Arts, Cultural Events
-History of contemporary art
-Art and media
Master's Degree in Art, Valorization Strategies and the Markets
COURSES 2018/2019
Bachelor of Science in Arts, Performing Arts, Cultural Events
- Contemporary visual arts
Art and media
History of contemporary art
Master's Degree
in Art, Valorization Strategies and the Markets
COURSES 2017/2018
Bachelor of Science in Arts, Performing Arts, Cultural Events
- Visual Arts
Art and Media
Master's Degree in Arts, Heritage and Markets
- History and criticism of contemporary art
COURSES 2016/2017
Bachelor in Arts, Design and Entertainment
Contemporary visual languages
- Art and media
- History of contemporary art
Master's Degree in Arts, Heritage and Markets
The art system
- History and criticism of contemporary art
COURSES 2015/2016
Bachelor in Arts, Design and Entertainment
Contemporary visual languages
- Art and media
- History of contemporary art
Bachelor of Science in Tourism: culture and development of territories
Master's Degree in Arts, Heritage and Markets
The art system
- History and criticism of contemporary art
COURSES 2014/2015
Bachelor in Arts, Design and Entertainment
Contemporary visual languages
- Art and new media
- History of contemporary art
Bachelor of Science in Tourism: culture and development of territories
Master's Degree in Arts, Heritage and Markets
The art system
- History and criticism of contemporary art
COURSES 2013/2014
Bachelor of Arts, Design and Entertainment
Contemporary Visual Media
Bachelor of Arts, Design and Entertainment
Contemporary visual media
— Art and new media
Bachelor of Science in Arts, Heritage and Markets
The Arts System
- History and Criticism of Contemporary Art
COURSES
2012/2013
Degree Course in Communication in the art and culture markets
Elements of art and culture history
- History of contemporary art
Elements of art and culture history
- Art and newmedia
Bachelor of Science in Arts, Heritage and Markets
- History and Criticism of Contemporary Art (Visual Arts and Design)
COURSES
2011/2012
Degree course in Communication in art and culture markets
Elements of art and culture history
- History of contemporary art
- Art and new media
Culture in public spaces
- Culture and urban transformation
Bachelor of Science in Arts, Heritage and Markets
- Methodology and Curatorship of Contemporary Art Exhibitions
COURSES 2010/2011
Degree course in Communication in the art and culture markets
- Art and new media
Although IULM University applies all necessary diligence to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it
The owner of this curriculum vitae is solely responsible for the correctness and truthfulness of the information contained therein.