Mara Logaldo

CURRENT POSITION:

Mara Logaldo has been teaching at IULM University since 1993 and is currently Assistant Professor. In 2018, she obtained the National Scientific Qualification as Associate Professor in English Language and Translation.
She is a member of the Doctoral Board in the PhD Programme in “Visual and Media Studies” and a member of the Joint Teacher-Student Commission of the Faculty of Interpreting, Translation and Linguistic and Cultural Studies.
Department of Humanities.

RESEARCH LINES:

After obtaining her Doctoral Degree in English Studies, with a thesis on the structural function of metaphor in some novels and short-stories by Henry James during his experimental phase, Mara Logaldo has followed two main lines of research: on the one hand, she has investigated how rhetorical and linguistic phenomena have been discussed and actualised in literary texts, in treatises on legal subjects and in the periodical press; on the other; she has explored linguistic and discursive practices in different types of media texts, according to a multimodal and critical-analytical (CDA) approach. Her research has progressively focused on media discourse, literary journalism, tags in Augmented Reality, captions in photojournalism, and film dialogue. More recently, she has investigated the pragmatics of audiovisual translation, with particular reference to subtitling (Captioning and Revoicing Screened Dialogue. The Pragmatics of Audiovisual Translation, forthcoming).
Since 2018, she has been a member of the research group "Variation and Norm in Translation, from the Press to Orality: Theory, Practice, Profession", coordinated by professor Giuliana Elena Garzone. She is also a member of the interdepartmental research project "The genre of the review", coordinated by prof. Paolo Giovannetti.
She is currently a member of the Committee of the European Society for Periodical Research (ESPRit), where she has been appointed Conference Liaison Officer. She is also a member of the Italian Association of Law and Literature (AIDEL).

DISCIPLINARY GROUP:

L-LIN / 12 (English Language and Translation).

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

 

Monographs:

 

(2020). Captioning and Revoicing Screened Dialogue. The Pragmatics of Audiovisual Translation, Universitas Studiorum, Mantova.

(2012) Augmented Linguistics. Language and Communication in the Age of Augmented Reality, Milano: Arcipelago Edizioni.

 

(2003) Cronaca come romanzo: Truman Capote e il New Journalism, Milano: Arcipelago Edizioni.

 

(2003) Writing for the Media. A Workshop of Text Analysis and Composition, Milano: Arcipelago Edizioni.

 

(2000) Figura e rappresentazione in Henry James: 1896-1901, Alessandria: Edizioni Dell’Orso.

 

 

Edited volumes:

 

Garzone, G., Logaldo, M., Santulli F. (eds.) (2020). Investigating Conflict Discourses in the Periodical Press, Bern and New York: Peter Lang.

 

Antelmi D., Logaldo, M. (eds.) (2019). Testi brevi di accompagnamento. Linguistica, semiotica, traduzione. Mantova: Universitas Studiorum.

 

 

Book chapters:

 

(forthcoming). Zeitschriften und Linguistik. Regensburg: Transfer Verlag.

 

(2020) Doppiaggio, sottotitoli e altre questioni linguistiche nelle recensioni cinematografiche, dalle riviste del cinema muto a Bianco e nero. In Chiurato, A., Leggere per scegliere. La pratica della recensione nell’editoria moderna e contemporanea, Milano: Mimesis, pp. 239-260.

 

(2020) “Representations of Diplomatic Discourse in the Periodical Press after Sir Ivan Rogers’ Resignation as UKRep to the European Union”, in Logaldo, M., Garzone, G., Santulli F. (eds.) Investigating Conflict Discourses in the Periodical Press, Bern and New York: Peter Lang, pp. 51-71.

 

(2019) (with Nicolini, M.). New Provinces of Writing and Legal Education: Law, Langue and Society in Blackstone’s Commentaries. In Battisti, C., Fiorato, S. (eds.), Law and the Humanities: Cultural Perspectives, Berlin: DeGruyter, pp. 249-274.

 

(2019) Capturing/Captioning Wildlife in Nature Photography. In Logaldo M., Antelmi D. (eds.), Testi brevi di accompagnamento. Linguistica, semiotica, traduzione, Milano: Universitas Studiorum, pp. 131-156.

 

(2018) (with Antelmi, D.). Lo sviluppo della linguistica strutturale nelle riviste britanniche dagli anni ’60 agli anni ’80. In Giovannetti, P. (ed.), Periodici del novecento e del duemila fra avanguardie e postmoderno. Milano: Mimesis, pp. 171-207.

 

(2017). She knows the way people speak around here: Zadie Smith e il luogo delle parole. In Zuccato, Edoardo (a cura di), L’immagine dell’artista nel mondo moderno. Milano: Marco y Marcos, pp. 219-243.

 

(2017). ARvertising and the Remediation of Meaning. In Canepari, Michela; Mansfield, Gillian; Poppi, Franca (eds.), The Many Facets of Remediation in Language Studies. Beau Bassin: Lambert Academic Publishing, pp. 115-131.

 

(2015). On Crimes, Punishments, and Words: Legal and Language Issues in Cesare Beccaria’s Works. In Ward, Ian (ed.), Literature and Human Rights. The Law, the Language and the Limitations of Human Rights Discourse. Berlin: De Gruyter, pp. 289-308.

 

(2011). Murderous Creators: How Far Can Authors Go?. In Daniela Carpi – Klaus Stierstorfer (eds.), Bioethics, Biolaw and Literature, Berlin – New York: De Gruyter, pp. 298-317.

 

(2010). ‘Only the immigrants can speak the Queen’s English these days’ but all kids have a Jamaican accent’: overcompensation vs. urban slang in multiethnic London. In Roberta Facchinetti, David Crystal, Barbara Seidlhofer (eds.), From International to Local English – And Back Again, Peter Lang, Bern, pp. 115-144.

 

(2008). “Crime Sublime. Literary Mercy and the Law in Truman Capote’s In Cold Blood,” in Practising Equity, Addressing Law. Equity in Law and Literature, Heidelberg: Universitätsverlag WINTER, pp. 355-365.

 

(1997). Memoirs of a cavalier and Memoirs of an English Officer: new narrative forms and the legacy of literary genres. In: Wrestling with Defoe. vol. 30, p. 109-129, Bologna: Cisalpino.

 

(1996) Nella terra di nessuno di Barbara Pym. In: Patrizia Nerozzi e Graziella Corso (eds.), Saggi italiani su Barbara Pym. Milano: Marcos y Marcos, pp. 55-66 (reprint).

 

(1996) The Portrait of a Lady di Henry James: il dramma, il gioco e la rosa. Il confronto letterario, vol. 13, p. 523-534.

 

 

Journal articles:

 

(forthcoming) (with Liverani, E.). Voci di donna nella post-guerra spagnola: La voz dormida. Dal romanzo al film sottotitolato in inglese. Testo a Fronte.

 

(2017) “’The Last Laugh?’ A Multimodal Analysis of Captions in Photojournalism”, Pólemos, vol. 11, 1, pp. 247-266.

 

(2016) (with Adami, V.). “Discourses About Models’ Rights”, IPERSTORIA. Testi, Letterature, Linguaggi, Numero VIII, Autunno/Fall 2016, pp. 112-130.

 

(2016) (with Nerozzi, P.). “Intertextuality and Parody of Law in The Third Policeman by Flann O’Brien: a Literary and a Linguistic Reading” Pólemos, vol. 10, 2, pp. 431–452.

 

(2016) “Augmented Bodies: Functional and Rhetorical Uses of Augmented Reality in Fashion”. Pólemos, vol. 10, 1, pp.125-141.

 

(2015).”’What Is Royalty Without a Voice?’ The Performance of Power in The King’s Speech”. Pólemos, vol. 9, 2, pp. 311-330.

 

(2014). “Modernity, Experience and the Law in The Education of Henry Adams”. Pólemos, vol. 8, I, pp. 153-173.

 

(2011) “Capote’s Garden in Hell: The Spectacle of the Law and the Law of the Spectacle”, in Pólemos, vol. 1, pp. 105-127.

 

(2009) “’Towards what final grievous contemplation amid the disarray?’ Linguaggio e logica della fine nei romanzi di David Markson”, Poli-femo, n. 0, pp. 127-154.

 

(1996) The Portrait of a Lady di Henry James: il dramma, il gioco e la rosa. Il confronto letterario, vol. 13, p. 523-534.

 

(1995) Il realismo grottesco nella narrativa di Martin Amis. Merope, vol. 7, p. 67-89.

 

(1994) Il metaromanzo in David Lodge. Lingua e letteratura, vol. 11, p. 61-90.

 

(1994) Nella terra di nessuno di Barbara Pym. Il confronto letterario, vol. 11, p. 417-425.

 

 

Book translations:

 

(2011) Ferrario, R. David Tremlett, Nomos Edizioni, Busto Arsizio.

 

(2010a) De Lucchi, M. Costruzioni della terra e dell’acqua, Nomos Edizioni, Busto Arsizio.

 

(2010b) Giavini, L. Il colore dell’aurora, Nomos Edizioni, Busto Arsizio.

 

(2003a) Pecchini, A. Opere. Installazioni, Nomos Edizioni, Busto Arsizio.

 

(2003b) Neilson, N.W. Giulio Cesare Procaccini disegnatore, Nomos Edizioni, Busto Arsizio.

 

(2001) Volut, A. Ombre, Electa, Napoli, 2001 (testi di Bernard Noël e Arturo Carlo Quintavalle).

 

 

 

Conference Proceedings:

 

(2018) “Awareness-raising measures on single-use plastics: comparing communicative strategies in EC websites and social media”, in Heaney, D., Riboni, G., Brambilla, E., Knowledge Dissemination, Ethics and Ideology in Specialised Communication: Linguistic and Discursive Perspectives. Pre-Conference Proceedings, Milano: Università degli Studi di Milano. ISBN 978-88-940663-3-3

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

COURSES 2021/2022

Master's Degree in Specialised Translation and Conference Interpreting

Audiovisual translation (subtitling and dubbing)

Bachelor of Science in Corporate Communication and Public Relations

Professional Writing (Workshop)

COURSES 2020/2021

 Master's Degree in Specialised Translation and Conference Interpreting

Audiovisual translation (subtitling and dubbing)

Degree Course in Corporate Communication and Public Relations

Professional writing (workshop) Group 1

Professional writing (workshop) Group 2

COURSES 2019/2020

Bachelor of Science in Public Relations and Business Communication

English for Communication and Public Relations

Master's Degree in Specialist Translation and Conference Interpreting

Audiovisual translation (subtitling and dubbing)

COURSES 2018/2019

Master's Degree in Specialist Translation and Conference Interpreting

Audiovisual translation (subtitling and dubbing)

Bachelor of Science in Public Relations and Business Communication

English for Communication and Public Relations

COURSES 2017/2018

Master's Degree in Television, Cinema and New Media

Literature, Arts and Media *(*in English)

Bachelor of Science in Public Relations and Business Communication

English for Communication and Public Relations

COURSES 2016/2017

Master's Degree in Television, Cinema and New Media

Master's Degree in Arts, Heritage and Markets

Literature, arts and media

COURSES 2015/2016

Master's Degree in Television, Cinema and New Media

- English for the media

Master's Degree in Cultural Studies and International Relations

English language and culture (Module I)
- English culture

English language and culture (Module II)
- English culture

COURSES 2014/2015

Master's Degree in Television, Cinema and New Media

- English for the media

Master's Degree in Cultural Studies and International Relations

English language and culture (Year I)
- English culture

Master's Degree in Cultural Studies and International Relations

English language and culture (2nd year)
- English culture

COURSES 2013/2014

Master's Degree in Cultural Studies and International Relations

English language and culture - English culture

Bachelor of Science in Television, Cinema and New Media

- English for the media

COURSES 2012/2013

Master's Degree in Television, Cinema and New Media
- English for the Media

COURSES 2011/2012

Master's Degree in Television, Cinema and New Media
- English for the Media

COURSES 2010/2011

Master's Degree in Television, Cinema and New Media

- English for the Media

Although IULM University applies all necessary diligence to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iuilm.it
The owner of this curriculum vitae is solely responsible for the correctness and truthfulness of the information contained therein.