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The story. Literature, cinema, television
![Title book](/wps/wcm/connect/iulm/ea17a3d0-2938-4fc9-ab04-947f995c94a4/3747583.jpg?MOD=AJPERES&CACHEID=ROOTWORKSPACE.Z18_N19GHC41OO5PD0QACD0HKQ38C6-ea17a3d0-2938-4fc9-ab04-947f995c94a4-mXH0aDR)
![The story. Literature, cinema, television](/wps/wcm/connect/iulm/ea17a3d0-2938-4fc9-ab04-947f995c94a4/3747583.jpg?MOD=AJPERES&CACHEID=ROOTWORKSPACE.Z18_N19GHC41OO5PD0QACD0HKQ38C6-ea17a3d0-2938-4fc9-ab04-947f995c94a4-mXH0aDR)
The reader of a novel, the viewer of a film or a TV series, can see in the work something that goes far beyond the textual content. The consumption of fractional stories involves a considerable cognitive and interpretative investment, often neglected by classical narratology. And this is all the more true in the contemporary world, where a transmedia audience (i.e. all of us) approaches the strong narrative of skills that hybridize different semiotic systems. These are the most evident methodological innovations of this manual of narratology.