CURRENT POSITION:
Amanda Tacchia Cherubini holds a contract for the laboratory of design, production and artistic and cultural communication (co-owner with module " Exhibition Registrar") for the Master's Degree course in Art, valorization and market at IULM University of Milan.
Graduated in Cultural Heritage at the University Tor Vergata in Rome with a thesis in the archaeological field on the Horti Sallustiani" revaluation ,conservation and enjoyment of the area" she specializes in conservation and restoration of cultural heritage in Veneto achieving the qualifications for the recognition of her qualification as a Technician of the restoration of cultural heritage with consequent inclusion in the list of the Ministry of Cultural Heritage in accordance with the regulations in force.
He has been working at the Horti sallustiani, an archaeological complex, for more than 25 years, where he works as Registrar and coordinator for the cultural heritage superintendence and art event management.
She specializes in handling and logistics for works of art at the Palazzo Spinelli Institute in Florence.
Currently Exhibition registrar and curator at Artantide Contemporary art gallery Verona
Exhibition registrar and curator at Biennale Venezia Cameroon pavilion in biennial 2022-2024 -2026
Exhibition registrar for Gagosian contemporary art Gallery in Rome
For several years he has been consulting on conservation and restoration old masterpieces and contemporary artworks with his own laboratory office in Dubai and Saudi Arabia.
AREAS OF SCIENTIFIC INTEREST
In the field of study and research on the problems of restoration of contemporary works of art, a field that is still little analyzed as it highlights difficulties beyond the traditional approach of conservation of ancient works of art. With a view to deepening knowledge of the tools, techniques and materials of contemporary art that are constantly evolving
The areas of greatest scientific interest are also concerned with an in-depth study of the complicated relationship between artist, restorer and the curator, furthermore in the area of methodological and scientific problems, the issues concern the specific function of the figure of the restorer in synergy with the activity of the artist himself.
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