Leonardo Capano

CURRENT POSITION:

Associated professor of history of contemporary art

RESEARCH LINES:

Development and persistence of the landscape tradition in American painting and cinema, use and functions of painting in cinema, iconography and iconology in the visual tradition of the nineteenth and twentieth centuries

DISCIPLINARY GROUP:

L-ART/03

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

• “Sono stato sulla cima della montagna”: paesaggio e Destino Manifesto, in Territorialità: concetti, narrazioni, pratiche. Saggi per Angelo Turco, a c. di Claudio Arbore, Marco Maggioli, Milano, FrancoAngeli, 2017, pp.187-213
• Custoza: iconografia dei vinti, in L’Eclettismo: stile dell’Italia unita. Esempi per l’Italia settentrionale, Atti del convegno di studi, Miasino (Novara), 4-5 giugno 2011, 2011
• Traiettorie dello sguardo americano sul paesaggio. Dai pittori dell’Hudson River School alla Monument Valley di John Ford (con un’appendice su L’Età dell’innocenza di Martin Scorsese), Milano, Arcipelago, 2008
• Giardino, Wilderness, città, spazio digitale. Fenomenologi del paesaggio dal XVIII al XX secolo, “Materiali di estetica 12”, a c. di L. Capano, Milano, CUEM, 2005
• Pittura in Lombardia. L’Ottocento e il Novecento, a c. di L.Capano, Milano, Electa, 2001
• Il museo e gli artisti contemporanei, in Arte e artisti nella modernità, a c. di A. Negri, Milano, Jaca Book, 2000, pp. 109-132
• La collezione di icone russe delle Gallerie di Palazzo Leoni Montanari, CD.ROM, Milano-Vicenza, Electa, 1999
• Atlante delle opere d’arte, Milano, Bruno Mondadori, 1998
• Dal Neoclassicismo alle origini dell’Impressionismo (1750-1863), CD.Rom, Milano, Mondatori-Electa, 1997
• Dall’Impressionismo al simbolismo (1863-1900), CD.Rom, Milano, Mondatori-Electa, 1996
• Storia dell’arte. Linguaggi e percorsi, a c. di L. Capano, vol. 3, Milano, Bruno Mondadori, 1994
• L’arte a Milano dal 1945 agli anni Ottanta, in La pittura italiana. Il Novecento, Milano, Electa, 1993, pp.11-25
• Il disegno in Italia dopo il 1945. La linea figurativa (con A. Negri), Milano, Electa, 1992, pp. 228-255
• Guida ai musei d’arte moderna e contemporanea europei (con A. Negri), Milano, Giorgio Mondatori, 1992
• Catalogo delle opere, in Boccioni 1912 Materia, Verona, Galleria dello Scudo, Milano, Mazzotta, 1991-1995
• L’arte del Novecento – dal Futurismo a Corrente, Milano, Giorgio Mondadori & Associati, 1991
• L’arte nel denaro (con M. Traina), Milano, Fabbri-Bompiani, 1991
• Il denaro nella scultura nella grafica e nelle arti applicate, Milano, Fabbri-Bompiani, 1989
• Note sul lavoro di Giuseppe Guerreschi, in Guerreschi incisore, a c. di I. Reale, Udine, Galleria d’arte moderna, Venezia, Marsilio, 1989, pp. 9-11
• Il denaro nella pittura, Milano, Fabbri-Bompiani, 1988
• Alcuni aspetti della ricerca figurativa 1970-1983, a c. di L. Capano, G. Ginex, A. Negri, A. Scotti, Milano, Rotonda di via Besana, 1984
• Collezione d’arte contemporanea della Galleria comunale di Cagliari. Gli artisti e le opere, a c. di A. Negri, Milano, Amilcare Pizzi, 1983

Pur applicando tutte le necessarie diligenze volte a garantire la pubblicazione di informazioni corrette, aggiornate e complete, l’Università IULM non è responsabile dei contenuti riportati nei curricula pubblicati online sul Portale www.iulm.it. Il titolare del presente curriculum vitae è garante e responsabile in via esclusiva della correttezza e veridicità delle informazioni in esso riportate.

 

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

COUSES 2021/2022

Degree Course in Arts, Media, Cultural Events

-Iconography and iconology

Degree Course in Tourism, Management and Culture

-Routes of Art

COUSES 2020/2021

Degree Course in Arts, Media, Cultural Events

-Iconography and iconology

Degree Course in Tourism, Management and Terrirory

-Tourism and artistic heritage

COURSES 2019/2020

Bachelor of Science in Arts, Performing Arts, Cultural Events

-Iconography and iconology

Bachelor of Science in Tourism, Management and Territory

-Tourism and artistic heritage

COURSES 2018/2019

Master's Degree in Arts, Heritage and Markets

- Philosophy, arts and criticism

Bachelor of Science in Tourism, Management and Territory

- Cinema and painting

Bachelor in Arts, Design and Entertainment

- Iconography and iconology

COURSES 2017/2018

Bachelor of Science in Tourism: culture and development of territories

- History of modern and contemporary art

Bachelor in Arts, Design and Entertainment

- Iconography and Iconology

COURSES 2016/2017

Bachelor of Science in Tourism: culture and development of territories

- History of contemporary art

Bachelor in Arts, Design and Entertainment

- Iconography and Iconology

COURSES 2015/2016

Bachelor of Science in Public Relations and Business Communication

Bachelor of Science in Communication, Media and Advertising

Bachelor of Science in Interpreting and Communication

- History of contemporary art

Bachelor in Arts, Design and Entertainment

- Iconography and Iconology

Master's Degree in Arts, Heritage and Markets

- Contemporary art in the USA

COURSES 2014/2015

Bachelor of Science in Public Relations and Business Communication

Bachelor of Science in Communication, Media and Advertising

Bachelor of Science in Interpreting and Communication

- History of contemporary art

Master's Degree in Arts, Heritage and Markets

- Contemporary art in the USA

Bachelor of Science in Arts, Design and Entertainment (in common with the Bachelor of Science in Communication in Art and Culture Markets)

- History of contemporary art in non-European countries

COURSES 2013/2014

Bachelor of Science in Communication in the art and culture markets

— The artistic avant-garde in the world

Bachelor of Science in Arts, Heritage and Markets

— Contemporary Art in the USA

COURSES 2012/2013

Degree Course in Communication in the art and culture markets

-The artistic avant-gardes in the world

- History of American art History of art

-Contemporary history

COURSES 2011/2012

Bachelor of Science in Communication in the art and culture markets

-The artistic avant-gardes in the world

- History of American art

COURSES 2010/2011

Degree course in Communication in the art and culture markets

-The artistic avant-gardes in the world

- Magazines and art catalogues

Although IULM University applies all necessary diligence to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it
The owner of this curriculum vitae is solely responsible for the correctness and truthfulness of the information contained therein.