Laura Brignoli

CURRENT POSITION:

Full professor, representative of the degree course in Interpreting and Communication, Deputy Director of the Department of Humanities.

RESEARCH LINES:

My research lines, until 2012 focused on the period between the 18th and the 20th centuries, have increasingly focused on the twentieth century and current events. My interest in the relationship between literature and architecture dates back to before 2008, with the participation in the organization of the conference on the theme of the city in the works of Marguerite Yourcenar (1998) and an invited speech held at the Festival of Architecture of Parma, Reggio Emilia, Modena, in October 2006. More recently I started to explore the concept of rewriting myths ("E.E. Schmitt e il paradosso di Don Giovanni", Studi francesi, 2011; "Fonti antiche per estinguere i Fuochi: la Clitemnestra di M. Yourcenar", in Donne, mito e politica, 2012). My research interest in rewriting has led me to the direction of a Departmental Research project ("InterArtes mimetic ipertextuality between rewriting practices and allographic sequels") which brought together colleagues from over ten different disciplinary fields, both from Italian (seven) and foreign (three) universities. My most recent participations in conferences, as a speaker, have explored the following topics: "Marguerite Yourcenar et le monde des lettres", Clermont-Ferrand 12 - 14 octobre 2017; « Riscrittura scenica e fonti : dal romanzo francese alla scena teatrale italiana. Réécriture scénique et sources: roman français à la scène théâtrale italienne »10-11 April 2018, University of Milan; "Marguerite Yourcenar et les Amériques", 2-4 October 2019, Universidad de los Andes, Bogotà; «Migrazioni, Incontri tra lingue, letterature, arti e musica» University of Venezia, Ca’ Foscari 11-12-13 November 2019.
I am also currently carrying on my research on both theoretical and practical aspects of translation, with particular focus on the translation of puns: Bénabou Marcel, Perché non ho scritto nessuno dei miei libri, edizioni Theoria, Ariccia, 2018.

DISCIPLINARY GROUP:

L-LIN/03 letteratura francese
L-LIN/04 lingua e traduzione francese

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

Pubblicazioni scientifiche:

Volumi:

• Marguerite Yourcenar et l’esprit d’analogie. L’image dans les romans des années trente, Pacini, Pisa, 1997 (Recensito da Rémy Poignault sul Bulletin de la société internationale d’études yourcenariennes, n. 19, déc. 1998, pp.186-188 ; C. Biondi, Francofonia, n.36, printemps 1999, pp.148-149)
• Denier du rêve di Marguerite Yourcenar: la politica, il tempo, la mistica, Le Lettere, Firenze, 1999 (recensito da: M.R. Chiapparo, Bulletin SIEY, n.20, déc. 1999, pp.224-227; V. Fortunati, Il Confronto letterario, anno XVII, n.34, nov. 2000, pp.440-442; E. Angelelli, Studi Francesi, n.134, maggio-agosto 2001, p.443)
• Robbe-Grillet, Istantanee, traduzione, introduzione e note di Laura Brignoli, COOPLI, I.U.L.M., Milano, 2000
• Marcel Bénabou Butta questo libro finché puoi, (Jette ce livre avant qu’il soit trop tard) Traduzione, postfazione e note di Laura Brignoli, Aracne, Roma, 2009, pp.174
• Oeuvres complètes de Chateaubriand ; sous la direction de Béatrice Didier, voll. I-II: Essai sur les révolutions, Edition établie par Aurelio Principato, avec la collaboration de Laura Brignoli, Vanessa Kamkhagi, Cristina Romano, Emmanuelle Tabet, Paris, Champion, 2009

Articoli in rivista:

• "L'«humanisme à base cosmique» di Marguerite Yourcenar: alcune figure di analogia nei Mémoires d'Hadrien", Il Confronto Letterario, n.12, nov. 1989, pp.443-471;
• "La couleur du péché: le clair et l'obscur dans Anna, soror...", Il Confronto Letterario, n.15, mag. 1991, pp.175-182;
•  “Les Lettres d’une Péruvienne de Mme de Graffigny ou les (in)fortunes de la communication”, Francofonia, n.35, autunno 1998, pp.49-68.
• “La technique «privative» du Nouveau Roman: l’exemple de Robbe-Grillet”, Francofonia, n.43, autunno 2002, pp.57-76
• “Insufficienza ed eccesso. La dialettica degli opposti nella ‘Reprise’ di Robbe-Grillet”, Il Confronto Letterario, n.39, 2003, pp.157-168
• “La violazione della norma nelle Novelle Orientali di Marguerite Yourcenar”, Quaderni del “Cairoli”, (Varese) maggio 2003, pp.84-92
• « Deux enfants du classicisme: Chateaubriand et Yourcenar », Marguerite Yourcenar entre allégeance et rébellion, Bulletin SIEY n.25, décembre 2004, pp.143-156
• « Une poétique de l’impossible : L’appentis revisité de Marcel Bénabou », Il Confronto Letterario, n.46, 2006, II, pp.431-443
• “Fra spiritualità e materialismo. Sulle traduzioni settecentesche dell’Inferno dantesco”, Studi Francesi, n.152, maggio-agosto 2007, pp.378-389
•  «Eric-Emmanuel Schmitt e il paradosso di Don Giovanni», Studi francesi, n.163, anno LV, fasc.I, gennaio-aprile 2011, pp.108-117
• « “Regarde à côté tu verras”. Les enjeux de la vue latérale dans Madame Orpha de Marie Gevers», POLI-FEMO, Numero 7-8, Immagini delle lingue e delle identità minoritarie, 2014, pp. 103-114  
• « La part du romanesque dans l’hétéro-autobiographie de Robbe-Grillet » Studi Francesi, n. 177, settembre-dicembre 2015, pp.546-555
• « Une belle matinée de M. Yourcenar : du romanesque au narratif » Bulletin SIEY, n.36, déc. 2015, pp.37-52
• « Tradurre Notre-Dame de Paris di Victor Hugo ». In: Le professioni del traduttore. p. 115-134, ROMA:Aracne, ISBN: 978-88-548-9896-7, Milano, Libera Università di
• Lingue e Comunicazione Iulm, 2017
• « Analogie, maladie, monstre, La Nouvelle Euridice, Marcella ». In: (a cura di): Blackeman Bruno, Dictionnaire Marguerite Yourcenar. p. 28-31, PARIGI:Champion, 2017
• “Oltre l'impostura: l'immagine dell'artista per Pierre Michon”. In: (a cura di): Zuccato Edoardo, L'immagine dell'artista nel mondo moderno. p. 245-260, MILANO:Marcos y Marcos, 2017

Contributi in volume:

• Antologia Cronologica della Letteratura Francese, diretta da R.Campagnoli, vol.IV, SETTECENTO, a cura di Aurelio Principato. Schede di Laura Brignoli, Marisa Ferrarini, Aurelio Principato, Licia Reggiani, Milano, LED, 1997
• “Images du temps et de l’espace dans Feux de Marguerite Yourcenar”,  Retours du mythe. Vingt Etudes pour Maurice Delcroix, réunies et publiées par Ch.Berg, W. Geerts, P.Pelckmans, B.Tritsmans, Amsterdam, Atlanta, Rodopi, 1996, pp.231-243.
• “El umanismo en el siglo XX: Gide, Camus, Yourcenar”, Marguerite Yourcenar peregrina y extranjera, Asociacion colombiana de estudios yourcenarianos, Septiembre 2003, pp.81-91.
• “La mer et l’aventure dans Un régicide de Robbe-Grillet”, Marines écrites. Récits de mer au XXe siècle, Roman 20-50, coll. « Actes », 2004, pp.109-126
• « La multiplicité des points de germination de l’écriture  dans L’Épopée Familiale de Marcel Bénabou » in Des îles en archipel. Flottements autour du thème insulaire en hommage à Carminella Biondi, Peter Lang, 2008, pp. 405-418
• « Port-Soudan et la critique de la société », in: Olivier Rolin : littérature, histoire, voyage, CRIN (Cahiers de recherche des instituts néerlandais de langue et de littérature française) n. 49, 2008, pp.65-74 
• «Fonti antiche per estinguere i Fuochi», in Laura Brignoli, Lia Giachero, Silvia Giorcelli Bersani, Donne, mito e politica. La suggestione classica in Virginia Woolf, Marguerite Yourcenar e Hannah Arendt, Roma, Iacobelli, 2012 recensito da iaph Italia, Associazione internazionale delle filosofie :
• « Rivarol and Dante’s Inferno : The challenge of translation» in RUSSELL GOULBOURNE, CLAIRE HONESS, MATTHEW TREHERNE (ed.), La Parola del testo, Dante in France, XVII, 1-2, 2013, pp.45-57
• « Le narrateur multiple dans Écrire sur Tamara de Marcel Bénabou », in Fortunati (Vittorio), Schulze-Busacker (Elisabeth), Par les siècles et par les genres - Mélanges en l'honneur de Giorgetto Giorgi, Classiques Garnier, Coll. Rencontres, Paris, 2014, pp. 89-102
• « Un pacte avec le livre : l’écriture compacte de Marcel Bénabou » in Christophe Reig et Alain Schaffner, Marcel Bénabou archiviste de l’infini, Paris, Presses Sorbonne Nouvelle, 2015, pp.51-67.
• «Analogie, La Nouvelle Eurydice, Maladie, Marcella, Monstre» voci del Dictionnaire Yourcenar diretto da Bruno Blanckeman, Paris, Champion, 2017, pp. 28-31; 340-341; 343; 378-379; 412-413.
• «Oltre l’impostura: l’immagine dell’artista per Pierre Michon», in E.Zuccato (ed), L’immagine dell’artista nel mondo moderno, Milano, Marcos y Marcos, 2017, pp.245-260.

 

Pur applicando tutte le necessarie diligenze volte a garantire la pubblicazione di informazioni corrette, aggiornate e complete, l’Università IULM non è responsabile dei contenuti riportati nei curricula pubblicati online sul Portale www.iulm.it. Il titolare del presente curriculum vitae è garante e responsabile in via esclusiva della correttezza e veridicità delle informazioni in esso riportate.

 

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

COURSES 2021/2022

Bachelor of Science in Interpreting and Communication

Culture, Literature and History of the French Language

History of the French culture and language

French literature

Method for writing a good final dissertation

COURSES 2020/2021

Bachelor of Science in Interpreting and Communication

Culture, Literature and History of the French Language

History of the French culture and language

French literature

Method for wrting a good final dissertation 

COURSES 2019/2020

Bachelor of Science in Interpreting and Communication

Culture, literature and history of the French language

History of the French culture and language

French literature

Writing a good thesis: the method

COURSES 2018/2019

Bachelor of Science in Interpreting and Communication

Culture, literature and history of the French language

History of the French culture and language

French literature

Write a good thesis: the method

Master's Degree in Specialist Translation and Conference Interpreting. Curriculum vitae: Specialist translation

Specialist translation: French I

Specialist translation: fiction and non-fiction

COURSES 2017/2018

Bachelor of Science in Interpreting and Communication

Culture, Literature and History of the French Language

History of the French Language and Culture

French Literature

Bachelor of Science in Interpreting and Communication

Literature of French-speaking European countries

Master's Degree in Specialist Translation and Conference Interpreting. Curriculum vitae: Specialist translation

Specialist translation: French I

Specialist translation: narrative and non-fiction

COURSES 2016/2017

Bachelor of Science in Interpreting and Communication

Culture, Literature and History of the French Language

History of the French Language and Culture

French Literature

Bachelor of Science in Interpreting and Communication

Literature of French-speaking European countries

Master's Degree in Specialist Translation and Conference Interpreting. Curriculum vitae: Specialist translation

Specialist translation: French I

Specialist translation

COURSES 2015/2016

Bachelor of Science in Interpreting and Communication

Culture, Literature and History of the French Language

History of the French Language and Culture

French Literature

Bachelor of Science in Interpreting and Communication

Literature of French-speaking European countries

Master's Degree in Specialist Translation and Conference Interpreting. Curriculum vitae: Specialist translation

Specialist translation: French I

Specialist translation

COURSES 2014/2015

Bachelor of Science in Interpreting and Communication

Culture, literature and history of the French language

History of the French culture and language

French literature

COURSES 2013/2014

Bachelor of Science in Interpreting and Communication

Culture, literature and history of the French language

History of the French culture and language

French literature

COURSES 2012/2013

Degree course in Interpreting and communication

Culture, literature and history of the French language

History of the French culture and language

Culture, literature and history of the French language

French literature

COURSES 2011/2012

Bachelor of Science in Interpreting and Communication

Culture, Literature and History of the French Language

French Literature

History of the French Language 

COURSES 2010/2011

Bachelor of Science in Interpreting and Communication

French Literature

History of the French Language