
Relatori
KEYNOTE SPEAKERS
- Laurel Brake (Birkbeck University of London): Lockdown. The Order of Things: The functions of book reviews in the 19C British Press Presentazione Power Point
- Contarini Silvia (Università di Udine): Recensione e narrazione: la Frusta letteraria di Baretti al confine dei generi
- Sebastian Domsch (Universität Greifswald): Critical Authority and Media Change: Debating Reviews in the 18th and the 21st Century
- Alberto Pezzotta (Università IULM): Le costanti della recensione cinematografica
RELATORI PANEL
- Andrea Bellavita (Università dell’Insubria): Fiction seriale e strategie di recensione: sistema, concept, pilot, racconto
Scarica Abstract e bio - Phyllis Boumans (University of Leuven): Building a Modern Short Story Canon: Strategies of Taste-making in the Review Section of The Bell (1940-1954).
Scarica Abstract e bio - Lorenzo Cardilli (Politecnico di Milano): The Critic “Theologist”: an Exam of Gianfranco Contini’s Early Writings on “Rivista Rosminiana”
Scarica Abstract e bio Presentazione Power Point - Raffaella Carluccio (Università di Parma): Lo “spettatore critico”. Il Nerone di Boito alla prova della recensione musicale italiana
Scarica Abstract e bio - Alessandro Carrera (University of Houston): La recensione rock come nuovo genere letterario.
Scarica Abstract e bio - Luca Cerchiari (Università IULM): Hugues Panassié to Joachim Berendt: the Jazz Critic as “Artist”. Aesthetic Debates, Self-promotion, Marketing Strategies.
Scarica Abstract e bio - Kristoffer Jul-Larsen (Western Norway University of Applied Sciences): The Broadcast Book Review Between Literary Periodicals and Mass Media – From National Ideologues to the Young Karl Ove Knausgård.
Scarica Abstract e bio - Aneta Kliszcz Aneta e Joanna Komorowska (Jesuit University Ignatianum in Kraków e Stefan Wyszyński University): Summa summarum: C plus, slightly above average”. Tadeusz Sinko and the literary life of modernist Kraków
Scarica Abstract e bio - Federica La Manna (Università della Calabria): German Theatre Reviews between the 18th and the 19th Centuries
Scarica Abstrac e bio - Livio Lepratto (Università di Parma): Dalla “satira” all’“insulto”. Per una fenomenologia della stroncatura dal dopoguerra al web
Scarica Abstract e bio - Alberto Mingardi (Università IULM): The Economist as Book Reviewer. Thomas Hodgskin’s Role at James Wilson's "The Economist"
Scarica Abstract e bio - Emiliano Morreale (Università La Sapienza): La critica come autofiction. Mario Soldati spettatore cinematografico
Scarica Abstract e bio - Paolo Nitti e Micaela Grosso (Università dell’Insubria e Università degli Studi eCampus): The Review in Italian L2 Teaching. A Research on Textual Competence Development
Scarica Abstract e bio - Elena Ogliari (Università degli studi di Milano): Analysing the Book Reviews in the Irish Radical Press: Juxtapositions, Dynamic Conjuctions and Political Agenda
Scarica Abstract e bio - Stephanie Palmer (Nottingham Trent University): Between Literary Criticism and Pleasure Reading: Newspaper Reviews of Edith Wharton in Early Twentieth-Century Britain
Scarica Abstract e bio - Massimiliano Raffa (Università IULM): Recensioni e popular music: tendenze, ambiguità e futuro della critica pop
Scarica Abstract e bio - Massimo Raffaeli (ricercatore indipendente): Cesare Cases teorico della recensione
Scarica Abstract e bio - Susanna Roffredi (ricercatrice indipendente): East or West? Representations of 'Japaneseness' through Book Reviews from Kawabata to Durian Sukegawa
Scarica Abstract - Roberta Sapino (Università di Torino): André Pieyre de Mandiargues' "Declarations of Love" in the“Nouvelle Revue Française”
Scarica Abstract e bio - Giulio Tosi (ricercatore indipendente): The Twilight of the Rondan: The Transformation of Post-war Japanese Criticism Observed in the Reviews of Italian Films
Scarica Abstract