Speakers
KEYNOTE SPEAKERS
- Laurel Brake (Birkbeck University of London): Lockdown. The Order of Things: The functions of book reviews in the 19C British Press Ppt Presentation
- Silvia Contarini (Università di Udine): Recensione e narrazione: la Frusta letteraria di Baretti al confine dei generi
- Sebastian Domsch (Universität Greifswald): Critical Authority and Media Change: Debating Reviews in the 18th and the 21st Century
- Alberto Pezzotta (Università IULM): Le costanti della recensione cinematografica
PANELISTS
- Andrea Bellavita (Università dell’Insubria): Fiction seriale e strategie di recensione: sistema, concept, pilot, racconto
Abstract - bio - Phyllis Boumans (University of Leuven): Building a Modern Short Story Canon: Strategies of Taste-making in the Review Section of The Bell (1940-1954)
Abstract - bio - Lorenzo Cardilli (Politecnico di Milano): Il critico "teologo". Gli scritti del giovane Contini su "Rivista Rosminiana"
Abstract - bio Ppt Presentation - Raffaella Carluccio (Università di Parma): Lo “spettatore critico”. Il Nerone di Boito alla prova della recensione musicale italiana.
Abstract - bio - Alessandro Carrera (University of Houston): The Rock Review as a New Literary Genre.
Abstract - bio - Luca Cerchiari (Università IULM): Hugues Panassié to Joachim Berendt: the jazz critic as “artist”. Aesthetic debates, self-promotion, marketing strategies.
Abstract - bio - Kristoffer Jul-Larsen (Western Norway University of Applied Sciences): The broadcast book review between literary periodicals and mass media – from national ideologues to the young Karl Ove Knausgård.
Abstract - bio - Aneta Kliszcz e Joanna Komorowska (Jesuit University Ignatianum in Kraków e Stefan Wyszyński University): "Summa summarum: C plus, slightly above average”. Tadeusz Sinko and the literary life of modernist Kraków
Abstract - bio - Federica La Manna (Università della Calabria): German Theatre Reviews between the 18th and the 19th Centuries
Abstrac — bio - Livio Lepratto (Università di Parma): Dalla “satira” all’“insulto”. Per una fenomenologia della stroncatura dal dopoguerra al web
Abstract - bio - Alberto Mingardi (Università IULM): The Economist as Book Reviewer. Thomas Hodgskin’s role at James Wilson's The Economist
Abstract - bio - Emiliano Morreale (Università La Sapienza): La critica come autofiction. Mario Soldati spettatore cinematografico [tr. “Film criticism as autofiction: Mario Soldati as a film viewer”]
Abstract - bio - Paolo Nitti and Micaela Grosso (Università dell’Insubria and Università degli Studi eCampus): The review in Italian L2 teaching. A research on textual competence development.
Abstract - bio - Elena Ogliari (Università degli studi di Milano): Analysing the Book Reviews in the Irish Radical Press: Juxtapositions, Dynamic Conjuctions and Political Agenda
Abstract e bio - Stephanie Palmer (Nottingham Trent University): Between Literary Criticism and Pleasure Reading: Newspaper Reviews of Edith Wharton in Early Twentieth-Century Britain
Abstract - bio - Massimiliano Raffa (Università IULM): Recensioni e popular music: tendenze, ambiguità e futuro della critica pop [tr. “Reviewing the popular: trends, ambiguities and future of pop music criticism”]
Abstract - bio - Massimo Raffaeli (independent researcher): Cesare Cases teorico della recensione
Abstract - bio - Susanna Roffredi (independent researcher): East or West? Representations of 'japaneseness' through book reviews from Kawabata to Durian Sukegawa
Abstract - Roberta Sapino (Università di Torino): André Pieyre de Mandiargues' "Declarations of Love" in the “Nouvelle Revue Française”
Abstract - bio - Giulio Tosi (independent researcher): “The twilight of the rondan: The transformation of post-war Japanese criticism observed in the reviews of Italian films.
Abstract