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Thursday 4 June
Here live streaming on YouTube
Morning (09.30-12.30)
09.30-10.30 Keynote 2: Silvia Contarini (Università degli Studi di Udine)
“Recensione e narrazione: la Frusta letteraria di Baretti al confine dei generi”
Chair: Mara Logaldo (IULM University)
10.30-12.15 Panel 4: “Literary Reviews”
Chair: Dario Boemia (IULM University)
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Raffaella Carluccio |
Università degli Studi di Parma |
Lo “spettatore critico”. Il Nerone di Boito alla prova della recensione musicale italiana |
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Lorenzo Cardilli |
Politecnico di Milano |
The Critic "Theologist": An Exam on Gianfranco Contini's Early Writings on Rivista Rosminiana |
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Roberta Sapino |
Università degli Studi di Torino |
André Pieyre de Mandiargues' "Declarations of Love" in the Nouvelle Revue Française |
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Q & A SESSION |
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Afternoon (14.00-18.30)
14.00-15.00 Keynote 3: Sebastian Domsch (Universität Greifswald)
“Critical Authority and Media Change: Debating Reviews in the 18th and the 21st Century”
Chair: Dario Boemia (IULM University)
15.00-16.45 Panel 5: “Music Reviews”
Chair: Filippo Pennacchio (IULM University)
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Luca Cerchiari |
IULM University |
Hugues Panassié to Joachim Berendt: the Jazz Critic as “artist”. Aesthetic Debates, Self-promotion, Marketing Strategies |
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Massimiliano Raffa |
IULM University |
Reviewing the Popular: Trends, Ambiguities and Future of Pop Music Criticism |
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Alessandro Carrera |
University of Houston |
The Rock Review as a New Literary Genre |
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Q & A SESSION |
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17.00-18.30 Round Table
La recensione è davvero in crisi?
Chair: Paolo Giovannetti
Discussants: Mario Barenghi, Paolo Di Paolo, Gilda Policastro, Massimo Raffaeli