Pierluigi Sacco
Proxy to European Projects and International Networks
Department of Humanities StudiesFaculty of Arts and Tourism
Contacts
Telephone
+39 02 891412778
Email
[email protected]
CURRENT POSITION:
Full Professor of Cultural Economics
RESEARCH LINES:
Cultural economics: cultural production regimes, cultural participation, organizational and business models for core cultural sectors and for cultural and creative industries, new forms of digital production and participation, cultural policy, culture and local development processes. The New European Agenda for Culture and cultural crossovers: culture, health and wellbeing; culture and social cohesion; culture and innovation; culture and climate change. Culture and circular economic models. Culture as a platform of behavioral change: interactions with cognitive and social psychology, and with cognitive and social
neuroscience. Cultural welfare models. Culture and social inclusion, in urban and rural contexts. Culture and social innovation. Culture and urban regeneration, with special interest toward inclusion and to the role of artistic practices in the public domain. Computational social science: applications in economics, geopolitics, social change, science of science, cultural ecosystems. Models of cultural transmission. Applications of neural and evolutionary computing to social science. Complex dynamics in economic and social contexts.
DISCIPLINARY GROUP:
SECS-P/02 Economic Policy
Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.
(con Angelo Antoci e Luca Zarri) “Endogenous preferences and private provision of public goods: A ‘double critical mass’ model”, Public Choice, 135 (3-4) [June], 257-276, 2008.
(con Angelo Antoci e Paolo Vanin), “Participation, Growth and Social Poverty: Social Capital in a Homogeneous Society”, Open Economics Journal 1, 1-13, 2008.
(con Angelo Antoci, Antonio Gay e Massimiliano Landi), “Global Analysis of an Expectations Augmented Evolutionary Dynamics”, Journal of Economic Dynamics and Control 32(12) [december], 3877-3894, 2008.
(con Giovanna Segre), “L'accesso alle opportunità culturali nell'economia dell'esperienza”, in F. De Biase (a cura di), L'arte dello spettatore. Il pubblico della cultura tra bisogni, consumi e tendenze, Franco Angeli, Milano, 23-38, 2008.
(con Michele Viviani), “La responsabilità sociale d'impresa: prospettive teoriche nel dibattito italiano”, Economia Politica 25(2)[agosto], 317-350, 2008.
(con Vittorio Carlei, Massimiliano Nuccio e Massimo Buscema), “La complessità strutturale dei distretti industriali: un approccio basato sulle similarità multidimensionali”, Scienze Regionali/Italian Journal of Regional Science 6(2), 2008.
(con Giorgio Tavano Blessi), “The Social Viability of Culture-Led Urban Transformation Processes: Evidence from the Bicocca District, Milan”, Urban Studies46(5-6) [may], 1115-1135, 2009.
(con Domenico Menicucci) “Evolutionary Selection of Socially Sensitive Preferences in Random Matching Environments”, Journal of Mathematical Sociology 33(4) [october], 241-276, 2009.
(con Angela Vettese), “L'arte contemporanea”, in W. Santagata (a cura di), Libro bianco sulla creatività. Per un modello italiano di sviluppo, Università Bocconi Editore, Milano, 347-369, 2009.
(con Guido Martinotti e Irene Tinagli), “Le città creative e il territorio”, in W.Santagata (a cura di), Libro bianco sulla creatività. Per un modello italiano di sviluppo, Università Bocconi Editore, Milano, 49-77, 2009.
“Oltre lo sboom: le correnti sotterranee dell'arte contemporanea”, in A. Polveroni, Lo sboom. Il decennio dell'arte pazza tra bolla finanziaria e flop concettuale, Silvana Editoriale, Cinisello Balsamo, 95-119, 2009.
(con Giorgio Tavano Blessi e Massimiliano Nuccio), Cultural Policies and Local Planning Strategies: What is the Role in Local Sustainable Development?", Journal of Art Management, Law, and Society 39(1) [spring], 45-64, 2009.
(con Giovanna Segre), “Creativity, cultural investment and local development: A new theoretical framework for endogenous growth”, in U. Fratesi and L. Senn (eds.), Growth and Innovation of Competitive Regions. The Role of Internal and External Connections, Springer, Berlin, 281-294, 2009.
“Falso movimento? Alcune considerazioni sulla strategia di ricostruzione in Abruzzo”, in R. Grossi (a cura di), Crisi economica e competitività. La cultura al centro o ai margini dello sviluppo? Sesto Rapporto Annuale Federculture, Etas, Milano, 59-74, 2009.
“The road not taken. Un'economia senza homo oeconomicus?”, in A. Pavan, E. Magno (a cura di), Antropogenesi. Ricerche sull'origine e lo sviluppo del fenomeno umano, Il Mulino, Bologna, 579-596, 2010.
“The Economics of Cultural Quarters”, in Simon Roodhouse, Cultural Quarters, Intellect, Bristol, second edition, 29-46, 2010.
(con Christian Caliandro), Italia Reloaded. Ripartire con la cultura,Il Mulino, Bologna, 2011.
(con Giorgio Tavano Blessi e Thomas Pilati), “Independent Artist-run Centers: An Empirical Analysis of the Montreal Non-profit Visual Arts Field”, Cultural Trends, in corso di pubblicazione, 2011.
(con Guido Ferilli e Giorgio Tavano), “Culture, Cities and Creative Hubs: From the Instrumental to the Functional Value of Culture in Contemporary Local Development”, in corso di pubblicazione in L. Fusco Girard e P. Nijkamp, Sustainable and Creative Cities, Ashgate, Farnham, in corso di pubblicazione, 2011.
(con Enzo Grossi, Giorgio Tavano Blessi e Renata Cerutti), “The Impact of Culture on Individual Subjective Well-Being of Italian Population. An Exploratory Study”, Applied Research in Quality of Life, in corso di pubblicazione, 2011.
(con Enzo Grossi, Giorgio Tavano Blessi e Massimo Buscema), “The Interaction between Culture, Health, and Psychological Well-Being: Data Mining from the Italian Culture and Well-Being Project”, Journal of Happiness Studies, in corso di pubblicazione, 2011.
(con Massimo Buscema), “Data Tectonics: A Systematic Approach to Discrete Diffusion Models or Time and Space Extrapolation”, Neural Netowrks,in corso di pubblicazione, 2011.
(con Massimo Buscema), “GUACAMOLE: A New Paradigm for Unsupervised Competitive Learning”, Neural Networks, in corso di pubblicazione, 2011.
(con Massimo Buscema), “Optimal Information Sorting: The ACS-ULA Approach”, Neural Networks, in corso di pubblicazione, 2011.
Articoli in corso di valutazione editoriale
(con Christian Caliandro), “Portable Identities: Aura in the Age of Digital Reproduction”, revise and resubmit.
(con Alessandro Crociata), “A Conceptual Regulatory Framework for Design and Evaluation of Complex, Participative Cultural Planning Strategies”, revise and resubmit.
(con Angelo Antoci e Mauro Sodini), “Public Security vs. Private Self-Protection: Welfare-Improving Taxation and the Social Dynamics of Fear”, revise and resubmit.
(con Ahmad Naimzada e Mauro Sodini), “Wealth Sensitive Positional Competition as a Source of Dynamic Complexity in OLG Models”, submitted.
(con Massimo Buscema, Marco Breda, Enzo Grossi, Stefano Terzi, Gino Catzola e Guido Ferilli), “Analyzing the Semantics of Point Spaces Through the Topological Weighted Centroid and Other Mathematical Quantities – Theory and Applications”, submitted.
(con Guido Ferilli e Giorgio Tavano Blessi), “Culture-led Local Development: When Does it ‘Work’, and Why? In Search of a Reference Framework”, submitted.
(con Alessandro Crociata), “Culture-led Local Development: Toward a ‘Creative Revolution’ for China?”, submitted.
(con Alberto Bucci e Giovanna Segre), “Smart Endogenous Growth: Cultural Capital and the Creative Use of Skills”, submitted.
(con Federico Quartieri), “Competition Theories in Competition. On the Consistent Comparison and Selection of the Strategic Variable in Mixed Differentiated Oligopolies”, submitted.
Pur applicando tutte le necessarie diligenze volte a garantire la pubblicazione di informazioni corrette, aggiornate e complete, l’Università IULM non è responsabile dei contenuti riportati nei curricula pubblicati online sul Portale www.iulm.it.
Il titolare del presente curriculum vitae è garante e responsabile in via esclusiva della correttezza e veridicità delle informazioni in esso riportate.
Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.
COURSES 2021/2022
Degree Course in Arts, Media, Cultural Events
Degree Course in Fashion and Creative Industries
-History and Culture of Made in Italy
Master's Degree Course in Art, Valorisation and Market
-Management and Start-up for art
COURSES 2020/2021
Degree Course in Arts, Media, Cultural Events
Degree Course in Fashion and creative industries
History of fashion and design
-History and culture of made in italy
Master's Degree Course in Art, Valorisation and Market
-Management and start-ups for art
COURSES 2019/2020
Bachelor of Science in Arts, Performing Arts, Cultural Events
Master's Degree Course in Art, Valorisation and the Market
COURSES 2018/2019
Bachelor in Arts, Design and Entertainment
- Policy of cultural districts
Bachelor of Science in Arts, Performing Arts, Cultural Events
Master's Degree Course in Art, Valorisation and the Market
COURSES 2017/2018
Degree Course in Arts, Entertainment, Cultural Events (in common with the Degree Course in Arts, Design and Entertainment and the Degree Course in Tourism: Culture and Territory Development)
Bachelor in Arts, Design and Entertainment
Master's Degree Course in Arts, Heritage and Markets
- Economy for creativity Economy for culture and art
COURSES 2016/2017
Bachelor in Arts, Design and Entertainment
Bachelor in Arts, Design and Entertainment
Master's Degree Course in Arts, Heritage and Markets
Economics for creativity
- Fundamentals of economics of culture and art
COURSES 2015/2016
Bachelor in Arts, Design and Entertainment
Bachelor in Arts, Design and Entertainment
Master's Degree Course in Arts, Heritage and Markets
Economics for creativity
- Fundamentals of economics of culture and art
COURSES 2014/2015
Bachelor in Arts, Design and Entertainment
Degree Course in Tourism: culture and development of territories (in common with the Degree Course in Arts, Design and Entertainment)
- Local development and creativity
Master's Degree Course in Arts, Heritage and Markets
Economics for creativity
- Fundamentals of economics of culture and art
COURSES 2013/2014
Bachelor of Arts, Design and Entertainment
- Fundamentals of economics
Bachelor of Science in Communication in art and culture markets
Marketing and communication of culture
- Marketing of cultural activities
Master's Degree Course
in Arts, Heritage and Markets
Economics for creativity
- Fundamentals of economics of culture and art
COURSES 2012/2013
Degree Course in Communication in the art and culture markets
Marketing and communication of culture
- Marketing of cultural activities
Master's Degree Course in Arts, Heritage and Markets Economics of
culture (advanced course)
- Behavioural Economics
COURSES
2011/2012
Bachelor of Science in Communication in Art and Culture Markets
Marketing and Communication of Culture
-Marketing of Cultural Activities
Master's Degree Course in Arts, Heritage and Markets Economics of Culture (advanced course) -
Behavioural Economics
COURSES 2010/2011
Master's Degree Course
in Arts, Heritage and Markets
- Cultural wikinomics
Master's Degree Course
in Brand Strategy and Communication, Fashion and Design
- Brand Economics
Although IULM University applies all necessary diligence to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it
The owner of this curriculum vitae is solely responsible for the correctness and truthfulness of the information contained therein.