Giulio Bursi

Graduated with honors in Filmology at the Dams of Bologna with a thesis on Jean-Marie Straub and Danièle Huillet, of which he was an assistant from 2001 to 2011
. In 2009 he obtained his PhD in International Audiovisual Studies at the University of Udine, where from 2010 to 2011 he was a research fellow. He has worked on various public and private research projects in the field of cinema and art, collaborating with institutions such as the AEM Foundation (of which he is a consultant) and the IULM University, receiving research grants from the Deutscher Akademischer Austauschdienst (DAAD) and the Pini Foundation. From 2009 to 2012 he was the holder of the Research Course on Film Sources and Archives at the specialist degree of DAMS Gorizia (University of Udine) and from 2014 to date of the course of Expanded Cinema at the IULM. As an essayist and critic he has written for magazines such as: Mousse Magazine, Black and White, Cinema & Cie, Hors Champ, Fata Morgana, Immagine, Cinergie, Filmcritica, Cineforum, Duellanti. As a programmer he has collaborated with several international festivals, including the Turin Film Festival, Il Cinema Ritrovato, Atlantide Cinema, I mille occhi, Film Forum and Festival du Nouveau Cinéma.

As an independent curator, from 2006 to the present day, he has worked for museums and international institutions, including: Tate Modern (London), MoMA (NY), Centre Georges Pompidou (Paris), Austrian Film Museum (Vienna), ZKM Media Museum (Karlsruhe), GAM (Turin), Biennale di Venezia (Italian Pavilion) and Triennale (Milan). He is co-founder and member of the board of the Aldo Tambellini Foundation and of the Atelier Impopulaire collective.

From 2017 he will be curator (Film) at the Volksbühne in Berlin.

Main areas of scientific interest:
History of avant-garde, experimental and expanded cinema Curatorial practices
linked to time-based media arts
History of Italian cinema (specializations: decades '20 and '30 and '60-'70) Filmology
and philology of cinema Theory
and technique of film restoration and video
History of film criticism Processes
of canonization and processes of creation of cinema styles

Although IULM University applies all necessary diligence to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal
www.iulm.it, the owner of this curriculum vitae, and is solely responsible for the correctness and truthfulness of the information contained therein.

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

Curatele:                                                                                                                                           

Cinema elettrico, (con Gianni Canova), Rizzoli, Milano, 2011. Libro e DVD                                                                                                                              

Il canone cinematografico/The Film Canon, Atti del XVII Convegno Internazionale di Studi di Udine (con Pietro Bianchi e Simone Venturini), Forum, Udine, 2011                                                

Lo stile cinematografico/The Film Style, Atti del XIII Convegno Internazionale di Studi di Udine (con Enrico Biasin e Leonardo Quaresima), Forum, Udine, 2007                                                  

Quel che brucia (non) ritorna/What burns (never) returns. Lost and Found Films (con Simone Venturini), Campanotto, Udine, 2011                                                                                            

Critical Editions of Film. Film Tradition, Film Transcription in the Digital Era (con Simone Venturini), Campanotto, Udine, 2008                                                                                                 

Ai poeti non si spara. Vittorio Cottafavi tra cinema e televisione (con Adriano Aprà e Simone Starace), Edizioni della Cineteca di Bologna, Bologna, 2010                                                        

Dispersioni storiografiche: il cinema indipendente italiano 1964-1975. Cinema sperimentale, cinema d’artista, cinema militante (con Cosetta G. Saba), Errata Corrige, Trieste (in corso di pubblicazione)                                                                                                                                         

Cinergie n. 13 (speciale DVD ed Edizioni Critiche), le Mani, Genova, 2007                                             

Bianco e Nero n. 559 (numero monografico, con Adriano Aprà), Carocci, Roma, 2007                                      

Principali saggi in rivista:                                                                                                               

Cinéma & Cie n. 13, 2009: Ouvriers, Paysans et la pratique des differentes éditions dans le cinéma de Straub-Huillet                                                                                                                                                      

Bianco e Nero: n. 559, 2007: Nascita di un cineasta. Vittorio Cottafavi da allievo del CSC all'esordio

n. 566, 2010: Tracce di un metodo pedagogico                                                         

Filmcritica: n. 543, marzo 2004: Il luogo di costruzione della storia                                                              

Cineforum: n. 429, 2003: Speciale Straub-Huillet, La compiutezza è senza lamento                                          

n. 444, 2005: Speciale Heimat, Quindici voci per Heimat                                                                                  

n. 446, 2005: Speciale Gus Van Sant, Negli ultimi giorni                                                                                   

n. 450, 2005: Speciale Sokurov e la storia, I suoi tre incontri: Hitler, Lenin, Hirohito                                                     

n. 452, 2006: Speciale Terrence Malick, Un puro dopo                                                                              

Cinergie: n. 14, 2008: Speciale Found Footage, Tra i resti ed il circo: note sul fondo della famiglia Togni, tra storia, riuso, e fenomenologia del film di famiglia, pp. 60-63                                                                           

n. 17, 2009: I morti non risorgono. Malinconia del cinema (su Death in the land of enchantos di Lav Diaz, 2007), pp. 7-10                                                                                                                          

n. 19, 2010: Il solco, l’impronta, il simulacro                                                                                                       

n. 20, 2011: Inizia tutto con una scelta (su Shutter Island di Martin Scorsese)                                         

Principali saggi in volumi collettivi:                                                                                                                                                

La scena assoluta. Appunti sul cinema di Frederick Wiseman, in Fulvio Baglivi (a cura di), Il mondo realmente rovesciato. Il cinema di Frederick Wiseman, Edizioni del Centro Sperimentale di Cinematografia, Roma, 2008                                                         

L’intruso, il corpo, la vestizione, in Toni D’Angela (a cura di), Corpo a Corpo, Il cinema e il pensiero, Edizioni Falsopiano, Alessandria, 2005                                                                                                             

Costretto a scomparire? L’Underground italiano, in Cosetta G. Saba (a cura di),  Nostalgia delle Falene. Follia, Cinema, Archivio, Errata Corrige, Trieste, 2009                                                                                              

Il tempo dei poeti (non) è finito. Sul primo dei tre cortometraggi di Guy Debord, in Monica dall’Asta e Marco Grosoli (a cura di), Consumato dal fuoco: il cinema di Guy Debord, ETS, Pisa, 2011                                                                                             

L’archivio audiovisivo AEM ed il contesto del cinema industriale italiano, in Gianni Canova e Giulio Bursi (a cura di), Cinema elettrico. I film dell’archivio AEM: 1928-1962, Rizzoli, Milano, 2011.                                                                                      

Vezzo di famiglia: fenomenologia dell’Home Movies, in Giulio Bursi e Simone Venturini (a cura di) Quel che brucia non ritorna/What burns never returns. About Lost and Found Films, Campanotto, Udine, 2011  

La via del petrolio, in Adriano Aprà (a cura di), Bernardo Bertolucci: il cinema e i film, Marsilio, Venezia, 2011                                                                                                 

Un progetto di modernizzazione: Pittaluga e la CINES (con Luca Mazzei), in Leonardo Quaresima (a cura di), Storia del Cinema Italiano. Volume IV. 1924-1933, Marsilio, Venezia, 2014                                                                                               

The rest is our business. La “questione sperimentale” dalle origini agli anni Sessanta, in Adriano Aprà (a cura di), Fuori Norma. La via sperimentale del cinema italiano, Marsilio, Venezia, 2013                                                                                                                                                                                                                                                                              

Pur applicando tutte le necessarie diligenze volte a garantire la pubblicazione di informazioni corrette, aggiornate e complete, l’Università IULM non è responsabile dei contenuti riportati nei curricula pubblicati online sul Portale www.iulm.it.
Il titolare del presente curriculum vitae è garante e responsabile in via esclusiva della correttezza e veridicità delle informazioni in esso riportate.

Although IULM University takes all necessary care to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal www.iulm.it. The holder of this curriculum vitae is the exclusive guarantor and responsible for the correctness and truthfulness of the information contained therein.

LESSONS A.Y. 2017/2018

Bachelor of Science in Television, Cinema and New Media (Specialization in Cinema and New Technologies)

Expanded
cinema - Film archives, exhibitions and museums

LESSONS A.Y. 2016/2017

Bachelor of Science in Television, Cinema and New Media (Specialization in Cinema and New Technologies)

Expanded
cinema - Film archives, exhibitions and museums

LESSONS A.Y. 2015/2016

Bachelor of Science in Television, Cinema and New Media (Specialization in Cinema and New Technologies)

Expanded
cinema -
Film archives, exhibitions and museums

LESSONS A.Y. 2014/2015

Bachelor of Science in Television, Cinema and New Media (Specialization in Cinema and New Technologies)

Expanded
cinema - Film archives, exhibitions and museums

Although IULM University applies all necessary diligence to ensure the publication of correct, updated and complete information, it is not responsible for the contents of the curricula published online on the Portal
Il, the owner of this curriculum vitae, and is solely responsible for the correctness and truthfulness of the information contained therein.